To a certain extent novels are like dishes; while there is no dispute as to the surpassing excellence of a few, the majority are prized differently, according to individual tastes. Public opinion has unanimously rated the Winthrop novels highly, some readers preferring 'Cecil Dreeme,' while to judge by the press, it would seem that 'Edwin Brothertoft' best pleases the majority. It is certainly a book of marked character, and full of good local historical color. The author had one great merit--he studied from _life_ and truth, and did not rehash what he had read in other novels, as do the majority of story-tellers at the present day, when a romance which is _not_ crammed with palpable apings of 'Jane Eyre' and 'Adam Bede' is becoming a rarity. In 'Edwin Brothertoft' we have a single incident--as in 'John Brent'--the rescue of a captive damsel by a dashing 'raid,' as the nucleus, around which are deftly woven in many incidents, characters, and scenes, all well set forth in the vigorous style of a young writer who was deeply interested in his own work. That he is sometimes rather weakly grotesque, as in his sporting with the negro dialect, which in the person of a servant he affects to discard and yet resumes, is a trifle. That he shows throughout the noblest sympathies and instincts of a gentleman, a philanthropist, and a cosmopolite is, however, something which can not be too highly praised, since it is these indications which lend a grace and a glory to all that Winthrop wrote. _Noblesse oblige_ seems to have been the great consciousness of his nature, and he therefore presented in his life and writings that high type of a gentleman by birth and culture, who without lowering himself one whit, was a reformer, a progressive, yes, a 'radical' in all things where he conceived that the root to be extracted was a great truth. In many things 'Edwin Brothertoft' is most appropriate to these our times, since its scenes are laid in that Revolutionary War for the cause of freedom, of which this of the present day is, in fact, a repetition. We feel in its every page the anxiety and interest of war, an American war for the right, sweeping along through trials and sorrows. To characterize it in few words, we may say that in it the author reminds us of Cooper, but displays more genius and _life_ than Cooper ever did. OUT OF HIS HEAD. By T. B. Aldrich. New-York. Carleton.