We have too long needed the touch of fresh and holy Earth. Too long has our love of picture and poem, and of all that the glorious impulse _to create in beauty_ achieves, been fickle as the wind; based on discordant fancies and distorted tradition. Symbolism in art, at present means only an arbitrary and puerile substitution of one object or caprice for another. The most successful poetic simile is often as thoroughly conventional, and consequently as perishable, as possible. In short, we are _not_ in an age when there is one poetry alike for _all_ men; when the artist and bard are _truly_ great and honored, and their works regarded as the Best that man can do. The few who comprehend this in all its sad significance look from their towers tearfully forth into the dark night, and wail, 'Great PAN is dead!' But he is not dead, nor sleepeth. He will yet return in that awful dawn of the day which will know no end. Already faint gleams of its glory gild the steep hills, the high places, and the groves sacred of old to the Starry Queen, and a reviving breath sweeps from the blue sea, calling up in ruined fane, and on the green turf where once stood temples in the olden time, fresh ideals of those forms of ineffable beauty, faun and fay, born of the primeval myth. There is already a quivering in the ancient graves, and strange lights flicker over the mighty stones consecrated by tradition to incantations, not of morbid fears, but of the strong and beautiful in nature. For in the Utilitarianism, in the steam and machinery of 'this age without faith,' I see the first necessary step of a return to real needs, solid facts, and natural laws. It is the first part of the doing away with rococo sentimentalisms, mediaeval tatters, and all wretched and ragged remainders and reminders of states of society which have nothing in common with our present needs. And it will be a revival, not of the ancient adoration of Nature as a mythology and a superstition, but as a heartfelt love of all that is beautiful, and joyous, and healthy in itself. Then the gods will indeed return and live again among us; not as literal beings, however, but as blessings in all that is best for man. Nor will 'Romance' be wanting--that influence which the age, without defining, still declares is essential to poetry. In Science, in Humanity, and in perfecting human ties and interests by the influence of love, there exists a romance which is exquisitely fascinating, and which lends itself to tenderer and more graceful dreams than Trouveur or Minnesinger _of any age_ ever knew--dreams the more delightful because they will not fade away with the mists of morning, but be fulfilled in clear sunlight, line by line, before man.