The Continental Monthly, Vol 3 No 3, March 1863: Devoted To Literature And National PolicyVarious
History
The Continental Monthly, Vol 3 No 3, March 1863: Devoted To Literature And National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
The box I had selected was at a happy distance from the stage, and we
gave Selma a front seat, that she might see to the best advantage. She
was in high spirits; indeed, she was radiant in her beauty. She wore a
dark blue dress of silk, fitting closely to her neck, and its short
sleeves allowed the plump, fair arms to half disclose themselves from
beneath the scarlet mantle Which fell around her shoulders. Her hair
fell over her neck in the same simple fashion as in her childhood,
except that the thick curls, which had lost their golden tint, and were
darker and longer, were looped back from her broad brow, with a few
simple flowers. There was the same contour of face and feature, but
ennobled by thought and culture; the same sensitive mouth, only that the
lips were fuller and of a deeper color; and as she talked or listened,
the same rose tint deepened and faded beneath her rich, soft, dark skin,
as sunlight shifts and fades across the evening sky. Her eyes, in whose
dark depths the soul was reflected, met a stranger's calmly, but took a
soft look of loving trust when meeting Frank's. They were shaded by long
lashes, as black as the night; and when the lids fell suddenly, as they
often did, and her face became quiet, and almost sad, you felt that she
was communing with the angels.
The overture burst forth, and with glowing face, and eyes fixed upon the
stage, Selma seemed lost to all but the enrapturing sounds; even Frank's
whispered words were unheeded. As the opera--'Lucia di
Lammermoor'--proceeded, I saw that every eye was attracted to our box,
and, bending forward to catch Selma's expression, I called Kate's
attention to her. With her head thrown slightly back, a bright spot
burning on either cheek, her breath suspended, the large tears coursing
from her eyes, and motionless as a statue, she sat with her small hands
clasped on the front of the box, as if entranced, and all unconscious of
the hundred eyes that were fixed upon her. I thought of the pictures I
had seen in the old galleries of Europe, but I said, 'Surely, art cannot
equal nature!'
When it was over, she took Frank's arm; I turned to question her, but
Kate said:
'Let her alone; she cannot talk now.'
* * * * *
The transactions of Russell, Rollins & Co. extended the world over; but,
since the death of Mr. Rollins, which occurred prior to Frank's going
with them, they had cultivated particularly the Southern trade, and
their operations in cotton had grown to be enormous. They bought largely
of that staple on their own account, and for some extensive
manufacturing establishments in England. Their purchases were mainly
made in New Orleans, and, to attend to this business, Hallet had passed
the winters in that city for several years.
Public-domain text, read in full here on John Shaqi.
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