The Continental Monthly, Vol. 4, No. 2, August, 1863: Devoted to Literature and National PolicyVarious
History
The Continental Monthly, Vol. 4, No. 2, August, 1863: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
Beauty, in its proper expression, must be allied to or suggest the
Infinite, for in it alone can ceaseless _variety_ be united with
absolute _unity_. Unity is an essential characteristic of life itself;
variety resolving itself into unity, and unity expanding itself into
variety, mark all that God has made. As a necessary consequence of the
position we have assumed, viz.: 'That art is not a servile copy, but
rather a creation of man in the Spirit of Nature,' _Variety and Unity_
must characterize every great work of art, as they mark every work of
the Creator. Let us take any of the humblest things which He has made, a
flower, for example: Unity, Order, Proportion, and Symmetry are in all
its fragile leaves--the Great Over-Soul seems to have lingered lovingly
over the elaboration of its idea, and stamped upon its fragrant leaves,
perishing and trivial as they may seem, the secrets of Infinity! With
what variety it is marked! How many shades in the gradations of the
color! What infinitesimal changes in the direction of the gentle
curvature of the rounded lines! what richness in the details! what
subtle and penetrating tenderness in the perfume! _Love_, _Infinity_,
_Unity_, _Order_, _Proportion_, _Symmetry_, mark all the Divine Works:
_Unity_, _Order_, _Proportion_, _Symmetry_, _Love_, as manifested in the
careful rendering of the subject in hand, with the suggestion of that
mystic Infinite in which all being is cradled, and from which all art is
nurtured, should, on their lower level in their finite degree, mark
every work of art. But to our subject: the divine attribute of unity,
and its manifestation in and through the finite.
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