The Continental Monthly, Vol. 4, No. 4, October, 1863: Devoted to Literature and National PolicyVarious
History
The Continental Monthly, Vol. 4, No. 4, October, 1863: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
Genius is the instinct of discovering some more of the words in this
divine language of universal analogies, the key of which God alone
possesses, but some portions of whose stores he sometimes deigns to
unclose for man. Therefore in earlier times the Prophet, an inspired
poet; and the poet, an uninspired prophet--were both considered holy.
They are now looked upon as insane or useless; and indeed, this is but a
logical consequence of the so-called _utilitarian_ views. If only the
material and palpable part of nature which may be calculated, percented,
turned into gold, or made to minister to sensual pleasures, is to be
regarded with interest; if the lessons of the harvest, with its 'good
seed and tares,' and the angels, its reapers; the teachings of the
sparrow and the Divine Love which watched over them; the grass and the
lilies of the field clothed in splendor by their Creator, are to awaken
neither hope nor fear--then men are right in despising those who
preserve a deep reverence for moral beauty; the idea of God in his
creation; and respect the language of images, the mysterious relations
between the visible and invisible worlds. Is it asked what does this
language prove? The answer is, God and Immortality! Alas! they are worth
nothing on 'Change!
Yet let him who would study his own happiness and well-being, follow the
advice given in the Good Book:
'Look upon the rainbow, and bless Him that made it, _for it is very
beautiful_.
'It encompasseth the heavens about with the circle of its glory;
the hands of the Most High have displayed it.'
As creation is symbolic, and the province of the poet is humbly to
imitate the works of the Great Artist, we must expect to find him also
make use of symbolic language, imagery.
Metaphor (metaphero) is the application of a physical fact to the moral
order; the association of an external material fact to one internal and
intellectual. As this association is not reflective, but spontaneous,
and is found pervading the infancy of languages; as it is intuitively
and generally understood; it must take place in accordance with a mental
law which establishes natural relations of analogy between the moral
world and the physical. To become perceptible, thought must be imaged,
reflected upon a sensuous form; the definition by an image is generally
the most clear and complete. We may have clear enough ideas of some
invisible truth in our own minds, but if we would convey our conception
to another, we cannot give it to him by a pure idea, for then we would
still be in the internal world of intellect; we must go out from this
internal world, we must seek a sign in the physical world that he can
see and contemplate; we select some phenomenon which can be easily
observed, and in accordance with the law of analogy of which we have
just spoken, we associate our thought with it, and in this manner we can
clearly communicate the thought we have conceived.
Public-domain text, read in full here on John Shaqi.
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