The Continental Monthly, Vol. 4, No. 5, November, 1863Various
History
The Continental Monthly, Vol. 4, No. 5, November, 1863
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
spread over the west--while in the east, the sky faded to a chalky
whiteness, low thunders muttered in the mountains, and faint shudders
crept through the leaves; a line of fire curled up over the cloud, and
in an instant, so vivid and swift were the electric bursts, the air
seemed sheeted in flames. In a long residence on both lake and sea shore
I remember no transition so startling, as this from a loveliness which
was beatific to a tempest which was appalling. But the storm was as
brief as its coming had been sudden, and, as the sun shone out over the
dripping foliage, each leaf and blade reflected bright colors through
its prismatic drops, the distant trees gleaming like sea spray in the
light. As we looked through purple vapors, floating from the purple
heights of shadowy mountains, the window seemed mirroring the sensuous
splendors of an Italian landscape. In descending to the valley, we took
a winding road which led farther up toward the heart of the range. Here
were gorges opening up through the mountains, which baffle all
description, and before which Art must despair. Such grouping! such
luxury! so blended and irradiated with gossamer mists, it seemed easy to
fancy, that in their depths lay hidden the happy fields of Pan. It is in
these mists which harmonize contrasts, in these tremulous motions which
conceal angles and abruptness, that nature defies art; the subtlest art
may suggest, but cannot reproduce them. As we stopped, for a moment, at
the foot of the mountain, and looked up through the fragrant air to the
sunset sky, and forward into the valley, mantling with slumbrous shade,
our young friend from Europe exclaimed, 'I have seen to-day, what I had
never expected to see in America,--mountains as picturesque as those of
Wales, and a sky mellow and brilliant as that of Italy.' For me, I could
not help but feel that in American scenery lies the hope of American
artists, and that the artist to whom Rome is denied, may receive even
fuller inspiration from the sea and skies and heights of his native
land! This was in 1859. There was then no token or presage of that other
July day, when, under the very shadow of these mountains, an army
thrilled with heroic impulse; when men, whose whole lives had been
ignoble, redeemed them by the most sublime daring; and those whose lives
held every promise yielded them with the most patriotic devotion; and
through long sultry hours, men cheerfully endured the tortures of
thirst, of wounds, and of lonely death agonies, sustained by a
prescience of victory. Thus was the scene, which nature had made
enchanting, rendered historic and immortal.
A. J. S.
ARE YOU FOR THE COUNTRY?
Then draw and strike
In nature's right,
And Freedom's might,
To break the night
Of Slavery's blight,
And make our country free!
Strike home the blow,
And bravely show
The traitor foe
His blood shall flow
Beneath the glow
Of _Freedom's_ victory.
Public-domain text, read in full here on John Shaqi.
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