The Continental Monthly, Vol. 5, No. 2, February, 1864: Devoted To Literature And National PolicyVarious
History
The Continental Monthly, Vol. 5, No. 2, February, 1864: Devoted To Literature And National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
The advent of this fleet of boats to the mouth of the creek is in the
highest degree exciting. As boat after boat rushes into the river, there
is the dashing to and fro of the boatmen, and the shouts of the
multitude on the shore. Here and there a collision occurs that often
results in the crushing of the feebler boat, and the indiscriminate
mingling of boatmen, fragments of the broken craft, oil, and fixtures in
one common ruin. In this fleet the form and variety of boats beggars all
description. Sometimes there is the orthodox flatboat, filled with
iron-bound barrels, with an air of respectability hovering around it.
Next will follow a rude scow, and close upon it an unwieldy 'bulk,' into
which the oil has been pumped at the well. After this, perhaps, may be
seen a rude nondescript, that surely was never dreamed of outside the
oil region. It consists of a series of rough ladders, constructed of
tall saplings. Between each pair of rounds in these ladders is placed a
barrel of oil, floating in the water, but kept in position by its
hamper. A number of these ladders are lashed together, until the float
contains two or three hundred barrels of oil.
The bulks spoken of are about sixteen feet square and two or three feet
in depth, divided internally into bulk-heads of perhaps four feet
square, to prevent any undue agitation of the oil by the motion of the
boat, and are sometimes decked over. These unpromising boats, as well as
the ladder floats, are, during favorable weather, often run to Pittsburg
with entire safety. Steamboats, however, run up to the mouth of Oil
Creek during the time of high water, and afford the safest and most
expeditious means of transportation.
Public-domain text, read in full here on John Shaqi.
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