Strange statements truly, and yet we see no reason to doubt that Miss Doten fully believes them to be simple records of facts known to herself. We do not doubt her truth and good faith; but we confess ourselves puzzled with the contradictory and inconsequent phenomena of modern spiritualism. These developments never bring any accession to our knowledge. In addition to the curious circumstances attending the creation of these poems, many of them are very beautiful. In those purporting to have been dictated by the spirit of Poe, the similarity of style is quite remarkable. His alliterations, his frequent assonances and rhymes, his chiming and ever-musical rhythms are wonderfully well reproduced. But has he learned nothing new to tell us in those 'supernal spheres'? Has he struck upon no new path in those weird regions, grasped no fresh and startling thought to weave into the perfect music of his lines? Nay, has he learned no new tunes, chimes, or rhythms 'where the angels' feet make music over all the starry floor'? Could he not lift for us the veil of Isis? The 'inspiration' from Shakspeare we regard as a total failure. He who never repeated himself on earth, comes to us who love him, after his long residence in heaven, and travesties his own matchless dramas by weak quotations from them, as if he had been cogitating only his own words through the new scenes of glory which had opened before him. Our great Shakspeare has grown none in the passing centuries--comes from the empyrean to gabble like a dotard of the visions of his youth? We quote from the poem: 'Man learns in this Valhalla of his soul To love, nor ever finds 'Love's Labor Lost.' No two-faced Falstaff proffers double suit; No Desdemona mourns Iago's art; And every Romeo finds his Juliet.' Trust us, fair and gifted Miss Doten, the spirit who sang this into your soul was not Shakspeare, nor, unless we are much mistaken, even one of his acquaintances. FAITH AND FANCY. By JOHN SAVAGE, Author of 'Sibyl, a Tragedy.' New York: James B. Kirker, 599 Broadway. Washington, D. C.: Philip & Solomon. We are glad to welcome this little volume of poems, some of which were published anonymously, and received general praise from critics and readers. They are vigorous, patriotic, rhythmical, and many of them are marked with imaginative power. The 'Muster of the North' is a bold and striking poem. LIFE OF EDWARD LIVINGSTON. By CHARLES HAVENS HUNT. With an Introduction by GEORGE BANCROFT. New York: D. Appleton & Co., 443 and 445 Broadway.