A man tells a true story to-day, in the hearing of one who has this distorting power, an essentially untrue soul. He hears the same story to-morrow, the very same, but so deformed, so mangled, so patched, that it is, now, every inch a lie--the truth gone crazy. That is, a truth half told is a lie, a truth added to is a lie, a truth distorted is a lie, a truth with its due proportions changed is a lie. And a lie may always be defined as a lame, deformed, or crazy truth. And it is the truth in the lie that gives it its power, that makes honest men so often accept, love, and help it. Their conscious design is to work for the truth's sake. It is the truth in the lie that makes so many logic shafts, so many rhetoric arrows glance off, as from the hide of a rhinoceros. And the bigger the lie the bigger also the truth. That is another bit of science. If Mrs. Tattle tells Mrs. Tittle a lie about Mrs. Jenkins, she knows very well Mrs. Tittle will not believe her unless her lie has some spice of fact to go on, unless it has _vraisemblance_, truth-likeness, an appearance of foundation at least. Mean little lies, like those she sets going, do not need much salt of truth to keep them from spoiling; still they require their due modicum, and they usually have it. As for instance, she says, with a long face, to Mrs. Tittle: 'Mrs. Jenkins, the widow Jenkins, you know, it's _awful_. She went over to Pinkins's last evening; I saw her go, and I do believe she stayed till twelve, and Mrs. Pinkins is away, you know. Isn't it terrible?' and she raises her eyes in pious horror at the depravity of the world, and of handsome young widows in particular. That is the _lie_. Now here is the _truth_. Mrs. Jenkins _did_ go across the way to Pinkins's, because one of his little ones was suddenly taken with some baby ailment, and the poor fellow, in his wife's absence, was scared out of his few wits in consequence. He sent for the kind-hearted widow, and begged her help for Johnny. She came, nursed the young scamp like a mother, and returned at nine, with her conscience glowing under the performance of a kindly and neighborly act. Now, without this much of truth, the amiable Mrs. Tattle would never have manufactured this particular lie. All liars understand the principle. They scarcely ever, until they become blind and stupid liars, invent a falsehood out of mere fancy. They pay tribute to humanity's instinct for truth so far as to tell as much of it as possible without ceasing to lie. They get in as great an amount of truth as convenient, to save their lie from swift, sure death.