The Continental Monthly, Vol. 5, No. 4, April, 1864Various
Religion
The Continental Monthly, Vol. 5, No. 4, April, 1864
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
THE CHRISTIAN EXAMINER.--Contents: Weiss's Life of
Theodore Parker. Uhland. The Patience of Hope. Arthur Schopenhauer.
The System and Order of Christ's Ministry. Ticknor's Life of
Prescott. Our Ambulance System. The Two Messages. Review of Current
Literature. New Publications Received. Boston: By the Proprietors,
at Walker, Wise & Co.'s, 245 Washington street.
EDITOR'S TABLE.
ARTISTS' RECEPTION.
The evening of February 4th, 1864, will long be remembered as the
occasion of one of the most delightful receptions ever given in the
Tenth-street Studio Building. The Committee deserve great praise for the
successful manner in which they filled without crowding the pleasant
exhibition-room and the many interesting studios. Their task was
certainly not an easy one, and merits imitation by all managers of
social entertainments.
Want of space must for the present prevent any description of the fine
works exhibited; suffice it to say that the Committee--Whittredge,
McEntee, Thompson, as well as Gifford, Eastman Johnson, Bierstadt,
Beard, the Weirs, Hazeltine, William Hart, Dana, Leutze, Gignoux,
Shattuck, Brown, Suydam, etc., were all worthily represented. New York
has reason to be proud of her artists.
Amusing incidents were not wanting. As we stood before Beard's
'Watchers' (an impressive representation of a company of crows watching
the last struggles of a dying deer), we heard a lady ask her attendant
the meaning of the picture and of its name. The reply was, 'Why--do you
not see? Those birds are owls, and they are asleep, and the deer is
asleep too, and so they are all watchers!' 'Ah!' returned the lady, as
if this lucid explanation had flooded the subject with light. We were
accompanied by a very bright young girl, who, desirous of visiting the
studio of Mr. Church, and disappointed at learning that it had not been
opened to the guests of the building, exclaimed, 'Heart of the Andes,
indeed! Where is his own?' No lover of the true and the beautiful could
have resisted the pleading of those earnest blue eyes. We also overheard
that 'the Tenth-street boys hold their heads mighty high!' Long may they
continue to do so, and long may success of every kind crown their
efforts, whether as artists or as conscientious, patriotic men!
GOUNOD'S 'FAUST.'
Public-domain text, read in full here on John Shaqi.
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