The Continental Monthly, Vol. 5, No. 5, May, 1864: Devoted To Literature And National PolicyVarious
History
The Continental Monthly, Vol. 5, No. 5, May, 1864: Devoted To Literature And National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
Then taking aim with his Greek knife at the golden boss on the opposite
wall, he strikes it in the centre; the guests follow, aim, and knives
fly through the air, but none strike the centre of the target except
himself. Full cups are poured to pledge their glorious chief. The flush
of gratified vanity blooms in his young cheek, he caresses his mustache
and plays with his blonde hair, he jokes with his guests; his jests are
keen, light, witty, piercing like the sting of a wasp, and loud
applauses greet his eager ear. Gliding over the surface of life, knowing
nothing of its depths, he floats gracefully through its shallows. His
blood, quickened by praise, flushes his face, his eye sparkles, his
features play, but his heart is empty, his soul void, his intellect
without expansion; he is as vain, weak, and selfish as an old coquette.
CHAPTER II.
In their naive songs, our people long remembered the valley in which the
chieftain parted from his comrades. Our fathers called it the Valley of
Farewells; our children so will call it should our songs endure through
another generation--should not our language, with ourselves, be
extinguished forever!
In a valley circled by three hills of gentle slope, whose feet bathe in
the same stream, but whose tops are widely severed, stands the man who
but an hour before had borne the ban of excommunication from the altar
of God. Male figures, clad in black from head to foot, with pallid
faces, and the flash of steel glittering in the moonlight, seem to have
been awaiting his appearance, for when they perceive him, the reclining
rise to their feet, the standing descend to the borders of the stream,
banners are unfurled in the summer's night, but no huzzas break the
silence. Seating himself upon a rock on the banks of the stream, he is
himself the first to speak, his voice chiming time with the murmur of
the waters, as the tones of the singer with the sounding harpstrings.
His words, though low, reach the hearts of his companions:
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