The Continental Monthly, Vol. 5, No. 5, May, 1864: Devoted To Literature And National PolicyVarious
History
The Continental Monthly, Vol. 5, No. 5, May, 1864: Devoted To Literature And National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
Something glitters--flashes through the air--once--twice--thrice--a
faint cry--the lamps die out one after the other--a single one still
burns over the great mirror, and by its flickering light the old man
sees the figures of the armed man and the snowy maiden, drenched in
gore, reel, totter, heave, whirl in strange confusion--grow to enormous
height, mount, sink, fall. At this very moment the great clock of the
palatines strikes three--and awakes the old man in the sleeping chamber
of his ancestors, stretched at the foot of the escutcheoned chair.
* * * * *
His attendants, hearing a noise, throng into his room with hurrying
steps and flaming torches; they find their lord lying prostrate on the
floor with bleeding hands and agitated air. He starts to his feet,
crying:
'Save my child! Kill my brother's son!' They crowd around him. 'Is it
still night, or does the day _really_ dawn?'
He staggers to the oaken table, seizes his sword, draws it from the
sheath; the handle turns in his trembling hands, the blade falls to the
ground; again he grasps it, while great tears rain down from his haggard
eyes. The attendants cluster round him, kneel before him, and entreat
him to tell them clearly what he would have them do.
'Follow me! follow me!' he pants in broken voice. He hurries to the
door, half borne on by his people; passes along the corridor, wrestling
with faintness and giddiness as a strong swimmer battles with the waves.
The attendants gaze from one to the other, making the sign of the cross.
The swooning and delirium of the old man over, the retainers follow him
as he totters on to the wedding chamber. Profound repose seems to rest
upon the castle; through the wide range of open double doors the grand
saloon of festival is clearly seen; the tables are deserted, and the
lights dying in their sockets. The morning twilight is already stealing
in through the open windows. Strange! the pages bearing the torches
before the old lord come to a sudden halt; a man runs toward them round
the sharp angle of the gallery; his hair is in confusion, his robe
soiled and torn; no dagger in his belt nor sword at his side; his lips
are blue and shivering, his brow pallid; he looks as if Death were
breathing on him as he passed, and he fled in terror from the fleshless
phantom.
'The father must not advance another step;' and stretching his arms
toward the old man, he seizes one of his hands.
'Where is thy wife? Speak, and tell me!'
The bridegroom kneels before him: 'Stop, father; go back to thine own
chamber; waken not thy sleeping daughter so early.'
'Thou sayest: 'Awake her not.' Will she _ever_ again waken? Speak
quickly. Tell me the naked truth, for evil spirits filled my sleep with
dreams of terror. I saw her pleading for death, but thou wast unarmed as
now; and another stood near, who murdered the child I gave thee. Speak!
Was this all a horrid dream, a fearful jest of the summer's night to
appal my soul?'
Public-domain text, read in full here on John Shaqi.
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