Anciently symbolized the sun, the goodness of God, marriage, faith, and fruitfulness. Old paintings of St. Peter represent him in a yellow mantle. The Venuses were clothed in saffron-colored tunics; Roman brides of an early day wore a veil of an orange tinge, called the _flameum_, a flame--a flame which, kindled at Hymen's torch, it is to be hoped was ever burning, never consuming. As every good has its antipodal evil, so every color has its bad sense, which is contrary or opposite to its first or good signification. In a bad sense, yellow means inconstancy, and the aesthetic Greeks, fully carrying out this meaning, compelled their public courtesans to distinguish themselves by mantles of saffron color. The radical sense of saffron is to fail, to be hollow, to be exhausted. In tracing customs, it is easy to see the bias unknowingly received from natural significations, significations which take their rise in the spiritual world. The _San Benito_ or _auto-da-fe_ dress of the Spanish Inquisition was yellow, blazoned with a flaming cross; and, as a mark of contempt for the race, the Jews of Catholic Spain were condemned to wear a yellow cap. Distinguishing colors in dress have ever been one of the most common methods of expressing distinction of class and differences of faith, until thence has arisen the imperative adage: 'Show your colors;' and he who refuses to do so is despised as a hypocrite or changeling. Yellow, as a color, finds but few admirers among modern enlightened nations; it is recognized as the color of shams; but in China, that country of contrarities, where printing, fish breeding, gas burning, and artesian wells have been known and stationary for centuries, where almond-shaped eyes, club feet, and long cues are types of beauty, where old men laughingly fly kites, and little boys look gravely on, where white is mourning, and everything is different from elsewhere--there yellow is the most admired of colors, restricted to the use of royalty alone under penalty of death. Yellow is the most searching of colors, as indeed it should be from its correspondence with light. It is gaudy, and does not inspire respect, for it brings into view every imperfection. Every defect in form or manner is rendered conspicuous by it, and we involuntarily scan the whole person of the unfortunate and tasteless wearer of it. BLUE. In early art, represented truth, honor, and fidelity, and even at this day we associate blue and truthfulness. Christ and the Virgin were formerly painted with blue mantles, and blue is especially recognized as the Virgin's color. We can never turn our eyes upward without seeing truth's emblematical color. How appropriate that the heavens should be blue! Of truthfulness and faithfulness it should be our constant reminder.