The Continental Monthly, Vol. 6, No 2, August, 1864: Devoted to Literature and National PolicyVarious
Religion
The Continental Monthly, Vol. 6, No 2, August, 1864: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
Is the emblem of light, every white ray of light containing all the
prismatic colors; and as it symbolizes innocence and purity, it is the
color must appropriate for clothing infants, brides, and the dead. We
think of the angels as clothed in white. At the transfiguration of our
Lord and Master, his raiment became shining, exceeding white as snow, as
no fuller on earth can white them; and in one of the Evangelists his
raiment is described as at that time as white as the light, and so our
highest comparison of whiteness is 'as white as the light.'
BLACK.
Formed by a combination in equal proportions of the three primitive
colors in equal intensity, is the color of despair. As mourning, it is
only suitable for those who despair of the future of their friends; but
it is preeminently unsuitable to be worn for those who die in Christian
faith with a Christian hope. Despite its gloomy hue, it has almost
become a sacred color among Christian nations, being worn as the dress
of the priest in his ministerial office, and doubly hallowed from its
association with the dead.
Black, as an ornamental color, should be below all others, for artistic
effect. An artistic dressmaker places the dark or black plaids or
stripes beneath the others. This natural correspondence is almost
universally recognized among enlightened nations in clothing for the
feet. They not only look smaller and more tasteful in black shoes than
in colored, but economy also sanctions them as more useful. The
universal tendency of the nineteenth century is to utilitarianism; the
one question asked is: What is the use? and in use is beauty ever found.
Ethnological investigation shows that black or dark-colored races have
invariably preceded settlement by the whites. This is in accordance with
the law of color above laid down, viz., that, _artistically_, black is
below the other colors (and now, in order that I may not be
misunderstood, I explicitly say that because, _artistically_, black is
the lowest color, it by no means follows that I deem black or olive or
yellow races subjects for slavery, or unworthy of social and political
rights). In accordance with the above axiom, savage and half-civilized
races are found to be at the present day black haired and black eyed. I
will also venture the assertion that nine tenths of all the people in
the world have black hair.
The Hindoo legend of the eighth incarnation of Vishnu under the name of
Crishna, makes him then of a bluish-black color, which the name Crishna
signifies. His supposititious father, Wanda, said:
'When I named him Crishna, on account of his color, the priest told
me he must be the god who had taken different bodies, red, white,
yellow, and black, in his various incarnations, and now he had
assumed a black color again, since in black all colors are
absorbed.'
Public-domain text, read in full here on John Shaqi.
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