The influence of pictures in forming character and shaping the course of life is illustrated with peculiar power in the history of the sons of a quiet family in the interior, who all insisted upon going to sea. The parents were grieved that none of their boys would remain at home to care for the homestead, and be the comfort of their declining years. They expressed their disappointment to a friend then on a visit to them, and wondered what could have induced the boys, one after the other, to embrace a life so full of storm and danger. Directly over the open fireplace hung a picture of a vessel with fluttering, snowy sails, tossing and rocking amid the bright, green, yeasty waves. The friend saw it, read the mystery, and quietly inquired how long it had been there. 'Since we commenced housekeeping,' was the unconscious reply. Not wishing to wound them, he was silent, and concealed his thoughts in his own breast, but the solution of the choice of life in the absent ones was clear enough to him: _that picture had sent them off, one after another, to sea_. How careful we should then be in surrounding youth and childhood with pure, elevating objects of art, as means of constant home-culture! We know we shall be told, 'This is all very good, but we cannot afford it.' Let us reason together. Can you not deduct something from your elaborate furniture, your expensive dress, and devote it to models, lithographs, or paintings? Subtract but the half from these luxuries and devote the sum to designs of art, and you will contribute doubly to the attractiveness and pleasantness of your home. Where we cannot hope to possess the original masterpiece, we may have photographic or lithographic copies, which are within the compass of very humble means. You will freely toss away five dollars in useless embroidery or surplus furniture, and it would buy you a lithograph of Raphael's immortal picture, giving the results of a whole age of artistic culture, or a photograph of Cheney's Madonna and Child, bearing the very spirit of the original, or a plaster cast of noble statuary, the original of which could not be obtained for any namable sum--and yet you say you cannot afford works of art!