The Continental Monthly, Vol. 6, No. 6, December 1864: Devoted To Literature And National PolicyVarious
History
The Continental Monthly, Vol. 6, No. 6, December 1864: Devoted To Literature And National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
It behooves every man, toiling along this dusty roadway of life, to
seize upon something which he may study and elaborate, that at the end
of his journey he may look back and content himself it has not been
utterly in vain to himself and his fellow pilgrims. A man with a mania,
or, as the Greeks have it, a man with a _madness_, is the true
world-advancer. This madness, when cultured, ripens into talent; if
original and inborn, we call it genius, and the subtile anatomists of
the French schools prove it by telling us that the brains of geniuses
are diseased. The healthy oyster ministers only to the palate. It is the
diseased oyster that secretes the pearl for Miss Shoddy's necklace. It
is the diseased brain that shines through the ages, lights men on to new
epochs in knowledge, and advances the race to the millennial perfection.
Immortal Jean Paul, picturing himself in Schoppe, knew this. For what is
all of Schoppe's eloquent and matchless buffoonery, compared with his
wise oracles, in the mad conflicts with his other 'I,' whom he saw in
the mirror of his diseased brain?
Therefore, let every man have his madness, to which he may give his
leisure and his thoughtful hours. Let it grow upon him, until it becomes
a strong, controlling, natural element, as Mozart grew into music and
Haydon into painting, and is ingrained into his very habit and method of
life; for it is only thus and then he becomes a master, fitted to lead
the van in the world's march. Only, let it be a praise-worthy madness,
and one the development of which wilt secure for himself some new fund
of knowledge, and add to the store of his fellow men.
It was somewhat in this vein I looked upon a dingy skilling species,
with its rudely crossed hammers--a rough coin, bold, sturdy, and rigid
as the old Norse character itself which formed the initial of my
cabinet--a cabinet which has given to me new ideas of the low-browed
Roman and elegant Greek; has admitted me to the arcana of their
fascinating mythology; has whispered strange tales of a mummy's perfumed
sleep in the shadow of the awful, eternal Sphynx; has taken me to the
fall of Grenada, and, bridging over the dark lapse of the ages, has
emerged with the resurrection of art into the bloody days of early
English history--the grim Puritanic times, when good old John Hull, the
mintmaster, regulated the finances of the colonies, and filled his own
pockets with pine-tree shillings and sixpences; the horrors of Danton
and Marat; marking faithfully each historic change from orient to
Occident, and culminating in that latest triumph of the engraver's
cunning skill--the Philadelphia Sanitary Fair medal, commemorating for
our children and children's children the magnificent benefactions of the
people and the self-devotion of the Commissions--Christian and
Sanitary--the angels of mercy and charity, scattering blessings in the
furrows of war.
Public-domain text, read in full here on John Shaqi.
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