The Continental Monthly, Vol. 6, No. 6, December 1864: Devoted To Literature And National PolicyVarious
History
The Continental Monthly, Vol. 6, No. 6, December 1864: Devoted To Literature And National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
A visit to Shanghai would be incomplete if the traveller failed to
inspect the numerous and very curious temples, and to contrast them with
the church edifices erected in the heart of the city by the Protestant
missionaries. There is one without the walls, in the French Concession,
where all the instruments of torture, the devilish devices of heathen
cruelty, are to be seen, a horrid spectacle. The largest of the temples,
however, is within the walls, approached through a wide court, with a
fountain (not in use) in the centre. This court is crowded with fortune
tellers, conjurors, and gamblers of every kind. Some of these gentry
play a game very much like thimble-rigging, in which copper cash,
appears under different inverted teacups. Every man who approaches the
idol draws from among the fortune tellers a stick or a piece of paper,
from the figure on which he is supposed to tell whether his prayer will
succeed, or the work he contemplates prove lucky. Entering the shrine,
it is difficult to see for a few moments, so gloomy is the place and so
grimy every object with the smoke of joss offerings from time
immemorial. A kind of altar faces the worshippers, with a box of sand,
in which are stuck the burning joss-sticks. Before this is a cushion, on
which they prostrate themselves, telling their beads, as they recite
their prayers inaudibly, and bowing to the earth at intervals of a few
minutes. Behind the altar are the idols. These hideous figures are twice
the size of life, and of frightful shape and features, the principal god
being in a tent-like shrine, which permits only a glimpse of his grim
features in the background. On his right hand is the figure of a man
with the beak of an eagle, and on his left a very grotesque divinity,
with a third eye, like that of the Cyclops, in the centre of his
forehead. These two figures, again, are supported by gigantic guardians,
one on either side, who have nothing absolutely monstrous about them,
being distinguished by their saturnine expression. That to the right
hand bears a striking likeness to Daniel Webster's stern and well-known
features. The deep-set eye and compressed lip were those of the great
expounder.
A heavy cloud from the burning candles and paper offerings filled the
air, and the smell of candle snuff mingled with that of incense. A high
railing separated the worshippers from the idols, but the priests were
quite indifferent and not at all exclusive; so, passing around and
without removing our hats, we made a close inspection of the respected
carvings. A nearer view did not increase their attractions, so, passing
up a flight of stairs, we entered a room where the bonzes were busy
praying for rain and apparently going through a species of litany with
open books in their hands. Our entrance stopped proceedings for a
minute or two, but they soon resumed, quite indifferently, singing and
drawling as though it were tedious, tiresome work.
Public-domain text, read in full here on John Shaqi.
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