Men look upon art as if it were to be pursued merely for the sake of art, for the egotistic pleasure of the artist, and not as a moral power full of responsibility and dignity. We might as well suppose that science is to be pursued merely for the sake of science, that we are to think only that we may think. But while everything has its determinate end in the lower world of matter, concurring in its degree to the life of the whole; can there exist faculties and tendencies without aim in the soul; permanent, regular, and general facts without a final cause? Can art exist as an accidental fact in the bosom of society? Is it not rather an important means for the development of the finer feelings of the heart, the higher faculties of the soul? Man was created 'to glorify God and enjoy him forever,' says the elementary catechism of the sternest of all creeds. Anything, therefore, which sets before us more preeminently the glory of God, thus placing more vividly before us the only source of all true enjoyment, must be, in the highest sense of the word, useful to us, as enabling us to fulfil the very end of our creation. Things that only help us to draw material breath, are only useful to us in a secondary sense: if they alone are thought of, they are worse than useless; for it would be better we should not exist at all, than that we should guiltily disappoint the purposes of our existence. Yet men in this material age speak as if houses and lands, food and raiment, were alone useful; as if the open eye and loving appreciation of all that He hath made were quite profitless; as if the meat were more than the life, the raiment than the body. They look upon the earth as a stable, its fruit as mere fodder, loving the corn they grind and the grapes they crush better than the gardens of the angels upon the slopes of Eden, so that the woe of the Preacher has fallen upon us: 'Though God has made everything beautiful in his time, also He hath set the world in their heart, so that no man can find out the work that God maketh from the beginning to the end.' 'The age culls simples. With a broad clown's back turned broadly to the glory of the stars; We are gods by our own reck'ning, and may well shut up our temples-- And wield on, amid the incense steam, the thunder of our cars. 'For we throw out acclamations of self-thanking, self-admiring, With, at every mile run faster, 'Oh, the wondrous, wondrous age,' Little thinking if we work our souls as nobly as our iron, Or if angels will commend us at the goal of pilgrimage.'