The Convict: A TaleJames, G. P. R. (George Payne Rainsford)
General
The Convict: A Tale
James, G. P. R. (George Payne Rainsford)
Prisoners -- Fiction
"It is very well," replied the priest. "I have no curiosity; and I
shall be perfectly satisfied if you can prove that our young friend is
totally innocent. At nine tomorrow, did you say? Well, may you be
successful; for I myself am quite sure of Mr. Dudley's innocence, and
therefore trust it may be clearly established. You had better,
therefore, mount again, and get home to your fair cousin as soon as
possible, for I know she is very anxious, unnecessarily so, I believe;
but we must always make allowances."
Thus saying, he seemed to drop the subject; and after walking a few
steps farther with him, Edgar Adelon sprang into the saddle, and rode
on towards Brandon Park.
CHAPTER XXIV.
By half-past eight o'clock Edgar Adelon was at the door of the old
workhouse at Langley. The building had long been disused, but though
not in the best order in the world, it could not be said to have
fallen into decay. When a harsh and parsimonious law was substituted
for one which was excellent in itself, but had been long and sadly
misused; when poverty was first virtually pronounced criminal, and
punished by statute; when the vices of the past, and the follies of
rich magistrates, were visited upon the present generation, and upon
the heads of the poor; when those whom God had joined together were
put asunder by legislation, and when a deputy parliament,
irresponsible directly to the people, was created to make laws and
regulations for those who are denied a voice in the senate, or a vote
at an election; when the medical attendance of the sick and the needy
was first contracted for by scores, as bullocks and sheep are paid for
at a toll-gate; when charity put on a pedant's gown, and national
benevolence was circumscribed by iron theories, the poor of Langley
had been transferred to the union house, and the old workhouse had
been put up to auction.
Public-domain text, read in full here on John Shaqi.
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