The Convict: A TaleJames, G. P. R. (George Payne Rainsford)
General
The Convict: A Tale
James, G. P. R. (George Payne Rainsford)
Prisoners -- Fiction
About an hour and a half after Edgar had left him, Dudley was seated
with Martin Oldkirk at a very homely meal; but it was good, though
plain, and the gentleman had shared, or rather more than shared, with
his companion, the small portion of brandy which the labouring man had
brought. Either Dudley's spirits had risen, or he had assumed a
greater degree of cheerfulness than he really felt. He was by nature
frank and free, as the good old English term goes, although early
misfortunes had, as we have shown in his room at Cambridge, given a
thoughtful cast to an imaginative mind. If, occasionally, he seemed a
little proud or haughty, it was with his equals or his superiors in
rank, where a feeling that impaired circumstances in himself might
generate a sense of condescension in them, induced him, by a certain
coldness of manner, to repel that vainest form of pride. With those
inferior to him, his manner was very different. Calm, easy, certain of
his own position and of their estimation of it, he ran no chance of
offending by too great familiarity, or of checking by too great
reserve. He was well aware that the lower classes are much keener
observers than the general world gives them credit for being, and that
their estimation of their superiors in station is generally founded on
much more just grounds than those on which men who are accustomed to
judge by mere conventional standards too frequently rely.
Oldkirk had become easy in his society, and their conversation, though
not, perhaps, exactly gay, was cheerful and interesting. Dudley
described the house that Norries had built for himself, his habits,
his manners of life, the difficulties, the dangers, the pleasures, and
the wild freedom of an Australian settler; and Martin Oldkirk
questioned, and talked, and discussed, as if his companion had been an
old friend. They put their feet to the fire, they gazed into the
glowing embers; they leaned on either side of the table in meditative
chat, and the high-born, high-bred gentleman felt that he was speaking
with a man of considerable natural powers, who, though uncultivated,
was not ignorant, and though not always courteous, rarely actually
vulgar.
At length Dudley drew out his pocket-book, and taking forth the
memoranda which he had previously examined, looked over them for a
moment, and then inquired, in an ordinary tone, "Pray did you ever
know a person of the name of Filmer--Peter Filmer?"
The man started from his seat as if he had been struck; his whole
countenance worked, his lips quivered, his brow contracted, and his
sharp eyes fixed upon Dudley, with a fierce and angry stare. It seemed
as if he were deprived of the power of utterance, for though his under
jaw moved, as if he would have spoken, he spoke not, but struck the
table a hard blow with his clenched fist.
"What is the matter?" exclaimed Dudley. "I did not intend to agitate
you in this manner. I had no idea that such simple words could produce
such emotion."
Public-domain text, read in full here on John Shaqi.
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