The Cook's Wedding and Other StoriesChekhov, Anton Pavlovich
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The Cook's Wedding and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
A cabman drives by. He clicks to his horse, tugs at the reins, and
does not see that two street urchins are hanging on the back of his
cab. I should like to join them, but think of confession, and the
street urchins begin to seem to me great sinners.
"They will be asked on the day of judgment: 'Why did you play pranks
and deceive the poor cabman?'" I think. "They will begin to defend
themselves, but evil spirits will seize them, and drag them to fire
everlasting. But if they obey their parents, and give the beggars
a kopeck each, or a roll, God will have pity on them, and will let
them into Paradise."
The church porch is dry and bathed in sunshine. There is not a soul
in it. I open the door irresolutely and go into the church. Here,
in the twilight which seems to me thick and gloomy as at no other
time, I am overcome by the sense of sinfulness and insignificance.
What strikes the eye first of all is a huge crucifix, and on one
side of it the Mother of God, and on the other, St. John the Divine.
The candelabra and the candlestands are draped in black mourning
covers, the lamps glimmer dimly and faintly, and the sun seems
intentionally to pass by the church windows. The Mother of God and
the beloved disciple of Jesus Christ, depicted in profile, gaze in
silence at the insufferable agony and do not observe my presence;
I feel that to them I am alien, superfluous, unnoticed, that I can
be no help to them by word or deed, that I am a loathsome, dishonest
boy, only capable of mischief, rudeness, and tale-bearing. I think
of all the people I know, and they all seem to me petty, stupid,
and wicked, and incapable of bringing one drop of relief to that
intolerable sorrow which I now behold.
The twilight of the church grows darker and more gloomy. And the
Mother of God and St. John look lonely and forlorn to me.
Prokofy Ignatitch, a veteran soldier, the church verger's assistant,
is standing behind the candle cupboard. Raising his eyebrows and
stroking his beard he explains in a half-whisper to an old woman:
"Matins will be in the evening to-day, directly after vespers. And
they will ring for the 'hours' to-morrow between seven and eight.
Do you understand? Between seven and eight."
Between the two broad columns on the right, where the chapel of
Varvara the Martyr begins, those who are going to confess stand
beside the screen, awaiting their turn. And Mitka is there too--
a ragged boy with his head hideously cropped, with ears that jut
out, and little spiteful eyes. He is the son of Nastasya the
charwoman, and is a bully and a ruffian who snatches apples from
the women's baskets, and has more than once carried off my
knuckle-bones. He looks at me angrily, and I fancy takes a spiteful
pleasure in the fact that he, not I, will first go behind the screen.
I feel boiling over with resentment, I try not to look at him, and,
at the bottom of my heart, I am vexed that this wretched boy's sins
will soon be forgiven.
Public-domain text, read in full here on John Shaqi.
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