The Copy-Cat, and Other StoriesFreeman, Mary Eleanor Wilkins
General
The Copy-Cat, and Other Stories
Freeman, Mary Eleanor Wilkins
New England -- Social life and customs -- Fiction; Short stories
Jim Patterson was in love, a charming little poetical boy-love; but it
was love. Everything which he did in those days was with the thought of
little Lucy for incentive. He stood better in school than he had ever
done before, but it was all for the sake of little Lucy. Jim Patterson
had one talent, rather rudimentary, still a talent. He could play by
ear. His father owned an old violin. He had been inclined to music in
early youth, and Jim got permission to practise on it, and he went by
himself in the hot attic and practised. Jim's mother did not care for
music, and her son's preliminary scraping tortured her. Jim tucked the
old fiddle under one round boy-cheek and played in the hot attic, with
wasps buzzing around him; and he spent his pennies for catgut, and
he learned to mend fiddle-strings; and finally came a proud Wednesday
afternoon when there were visitors in Madame's school, and he stood on
the platform, with Miss Acton playing an accompaniment on the baby grand
piano, and he managed a feeble but true tune on his violin. It was
all for little Lucy, but little Lucy cared no more for music than his
mother; and while Jim was playing she was rehearsing in the depths
of her mind the little poem which later she was to recite; for this
adorable little Lucy was, as a matter of course, to figure in the
entertainment. It therefore happened that she heard not one note of Jim
Patterson's painfully executed piece, for she was saying to herself in
mental singsong a foolish little poem, beginning:
There was one little flower that bloomed
Beside a cottage door.
When she went forward, little darling blue-clad figure, there was a
murmur of admiration; and when she made mistakes straight through the
poem, saying,
There was a little flower that fell
On my aunt Martha's floor,
for beginning, there was a roar of tender laughter and a clapping of
tender, maternal hands, and everybody wanted to catch hold of little
Lucy and kiss her. It was one of the irresistible charms of this child
that people loved her the more for her mistakes, and she made many,
although she tried so very hard to avoid them. Little Lucy was not in
the least brilliant, but she held love like a precious vase, and it gave
out perfume better than mere knowledge.
Jim Patterson was so deeply in love with her when he went home that
night that he confessed to his mother. Mrs. Patterson had led up to the
subject by alluding to little Lucy while at the dinner-table.
“Edward,” she said to her husband--both she and the rector had
been present at Madame's school entertainment and the tea-drinking
afterward--“did you ever see in all your life such a darling little girl
as the new cashier's daughter? She quite makes up for Miss Martha, who
sat here one solid hour, holding her card-case, waiting for me to talk
to her. That child is simply delicious, and I was so glad she made
mistakes.”
Public-domain text, read in full here on John Shaqi.
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