The Cords of Vanity: A Comedy of ShirkingCabell, James Branch
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The Cords of Vanity: A Comedy of Shirking
Cabell, James Branch
Authors -- Fiction; Marriage -- Fiction; United States -- Social life and customs -- Fiction
"'But you weren't there,' I protested; 'nobody was there. So nobody
ever knew anything about it, though may be you--' For I had just
remembered that Stella was dead, only I knew it was against some rule
to mention it.
"'Well, at any rate I'm _here_,' said Stella, 'and Ole-Luk-Oie is kind;
and we had better go and hunt the great boar at once, I suppose, since
that is what the people on the mustard-jars always do.'
"'But how did you come hither, O my dear--?'
"'Why, through your wanting me so much,' she said. 'How else?'
"And I understood....
"So we went and slew the great boar. I slew it personally, with a long
spear, and with Stella clasping her hands in the background. Only there
was a nicked place in the mustard-jar, where I had dropped it on the
hearth some fifteen years ago, and my horse kept stumbling over this
crevice, so that I knew it was the red jar and the buttons we were
riding around. And afterward I made a song in honour of my Stella,--a
song so perfect that I presently awoke, weeping with joy that I had
made a song so beautiful, and with the knowledge I could not now
recollect a single word of it; and I knew that neither I nor any other
man could ever make again a song one-half so beautiful....
"Since then Ole-Luk-Oie--or someone--has been very kind at times. He
always lets me into pictures, though, never into mouse-holes and
hen-houses and silly places like that, as he did little Hjalmar. I
don't know why....
"Once it was into the illustrations to the _Popular Tales of
Poictesme_, and we met my great grandfather Jurgen there. And once it
was into the picture on the cover of that unveracious pamphlet the
manager of the Green Chalybeate sends in the spring to everybody who
has once been there. That time was very odd.
"It is a picture of the Royal Hotel, you may remember, as it used to be
a good ten years ago. Both fountains were playing in the sunlight,
--they were torn down when I was at college, and I had almost forgotten
their existence; and elegant and languid ladies were riding by, in
victorias, and under tiny parasols trimmed with fringe, and all these
ladies wore those preposterously big sleeves they used to wear then;
and men in little visored skull caps were passing on tall old-fashioned
bicycles, just as they do in the picture. Even the silk-hatted
gentleman in the corner, pointing out the beauties of the building with
his cane, was there.
"And Stella and I walked past the margin of the picture, and so on down
the boardwalk to the other hotel, to look for our parents. And we
agreed not to tell anyone that we had ever grown up, but just to let it
be a secret between us two; and we were to stay in the picture forever,
and grow up all over again, only we would arrange everything
differently. And Stella was never to go driving on the twenty-seventh
of April, so that we would be quite safe, and would live together for a
long, long while.
Public-domain text, read in full here on John Shaqi.
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