The Cords of Vanity: A Comedy of ShirkingCabell, James Branch
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The Cords of Vanity: A Comedy of Shirking
Cabell, James Branch
Authors -- Fiction; Marriage -- Fiction; United States -- Social life and customs -- Fiction
"You are such poor company, nowadays, even after the advantages of
foreign travel," Stella reflected. "You really ought to do something to
enliven yourself." After a little, she brightened as to the eyes, and
concentrated them upon the tea-making, and ventured a suggestion. "Why
not fall in love?" said Stella.
"I am," I confided, "already in that deplorable condition."
And I ventured on sigh number two.
"I don't mean--anything silly," said she, untruthfully. "Why," she
continued, with a certain lack of relevance, "why not fall in love with
somebody else?" Thereupon, I regret to say, her glance strayed toward
the mirror. Oh, she was vain,--I grant you that. But I must protest she
had a perfect right to be.
"Yes," said I, quite gravely, "that is the reason."
"Nonsense!" said Stella, and tossed her head. She now assumed her most
matronly air, and did mysterious things with a perforated silver ball.
I was given to understand I had offended, by a severe compression of
her lips, which, however, was not as effective as it might have been.
They twitched too mutinously.
2
Stella was all in pink, with golden fripperies sparkling in
unanticipated localities. Presumably the gown was tucked and ruched and
appliqued, and had been subjected to other processes past the
comprehension of trousered humanity; it was certainly becoming.
I think there was an eighteenth-century flavour about it,--for it
smacked, somehow, of a patched, mendacious, dainty womanhood, and its
artfulness was of a gallant sort that scorned to deceive. It defied
you, it allured you, it conquered you at a glance. It might have been
the last cry from the court of an innocent Louis Quinze. It was, in
fine, inimitable; and if only I were a milliner, I would describe for
you that gown in some not unbefitting fashion. As it is, you may draft
the world's modistes to dredge the dictionary, and they will fail, as
ignominiously as I would do, in the attempt.
For, after all, its greatest charm was that it contained Stella, and
converted Stella into a marquise--not such an one as was her sister,
the Marquise d'Arlanges, but a marquise out of Watteau or of Fragonard,
say. Stella in this gown seemed out of place save upon a high-backed
stone bench, set in an _allee_ of lime-trees, of course, and under a
violet sky,--with a sleek abbe or two for company, and with beribboned
gentlemen tinkling on their mandolins about her.
I had really no choice but to regard her as an agreeable anachronism
the while she chatted with me, and mixed hot water and sugar and lemon
into ostensible tea. She seemed so out of place,--and yet, somehow, I
entertained no especial desire upon this sleety day to have her
different, nor, certainly, otherwhere than in this pleasant, half-lit
room, that consisted mostly of ambiguous vistas where a variety of
brass bric-a-brac blinked in the firelight.
Public-domain text, read in full here on John Shaqi.
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