The Cords of Vanity: A Comedy of ShirkingCabell, James Branch
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The Cords of Vanity: A Comedy of Shirking
Cabell, James Branch
Authors -- Fiction; Marriage -- Fiction; United States -- Social life and customs -- Fiction
I did not greatly care what Lichfield said one way or the other. I was
too deeply engrossed: first, in correcting the final proofs of
_Afield_, my second book, which appeared that spring and was built
around--there is no harm in saying now,--my relations with Gillian
Hardress; secondly, in the remunerative and uninteresting task of
writing for _Woman's Weekly_ five "wholesome love-stories with a dash
of humor," in which She either fell into His arms "with a contented
sigh" or else "their lips met" somewhere toward the ending of the
seventh page; and, thirdly, in diverting myself with Celia Reindan....
4
That, though, is a business I shall not detail, because it was one of
the very vulgarest sort. It was the logical outgrowth of my admiration
for her yellow hair,--she did have extraordinary hair, confound her!
--and of a few moonlit nights. It was simply the result of our common
vanity and of her book-fed sentimentality and, eventually, of her
unbridled temper; and in nature the compound was an unsavoury mess
which thoroughly delighted Lichfield. Lichfield will be only too glad,
even nowadays, to discourse to you of how I got wedged in that infernal
transom, and of how Celia alarmed everybody within two blocks of her
bedroom by her wild yells.
5
I had meanwhile decided, first, to write another and a better book than
_The Apostates_ or _Afield_ had ever pretended to be; and afterward to
marry Rosalind Jemmett, whom I found, in my too-hackneyed but habitual
phrase, "adorable." For this Rosalind was an eminently "sensible
match," and as such, I considered, quite appropriate for a Townsend.
The main thing though, to me, was to write the book of which I had
already the central idea,--very vague, as yet, but of an unquestionable
magnificence. Development of it, on an at all commensurate scale,
necessitated many inconveniences, and among them, the finding of
someone who would assist me in imbuing the love-scenes--of which there
must unfortunately be a great many--with reality; and for the tale's
_milieu_ I again pitched upon the Green Chalybeate,--where, as you may
remember, I first met with Stella.
So I said a not unpromising farewell to Rosalind Jemmett, who was going
into Canada for the summer. She was quite frankly grieved by the
absolute necessity of my taking a rigorous course of the Chalybeate
waters, but agreed with me that one's health is not to be trifled with.
And of course she would write if I really wanted her to, though she
couldn't imagine _why_--But I explained why, with not a little detail.
And she told me, truthfully, that I was talking like an idiot; and was
not, I thought, irrevocably disgusted by my idiocy. So that, all in
all, I was not discontented when I left her.
Public-domain text, read in full here on John Shaqi.
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