The Cords of Vanity: A Comedy of ShirkingCabell, James Branch
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The Cords of Vanity: A Comedy of Shirking
Cabell, James Branch
Authors -- Fiction; Marriage -- Fiction; United States -- Social life and customs -- Fiction
The Vision was in white, with a profusion of open-work. There were blue
ribbons connected with it. There were also black eyes, of the
almond-shaped, heavy-lidded variety that I had thought existed only in
Lely's pictures, and great coils of brown hair which was gold where the
chequered sunlight fell upon it, and two lips that were inexpressibly
red. I was filled with pity for my tired horse, and a resolve that for
this once her thirst should be quenched.
Thereupon, I lifted my cap hastily; and Guendolen scrambled to the
other bank, and spluttered, and had carried me well past the Iron
Spring, before I announced to the evening air that I was a fool, and
that Guendolen was describable by various quite picturesque and
derogatory epithets. And I smiled.
"Now, Robert Etheridge Townsend, you writer of books, here is a subject
made to your hand!" And then:
"Only 'twixt the light and shade
Floating memories of my maid
Make me pray for Guendolen."
After this we retraced our steps. I was peering anxiously about the
roadway.
"Pardon me," said I, subsequently; "but _have_ you seen anything of a
watch--a small gold one, set with pearls?"
"Heavens!" said the Vision, sympathetically, "what a pity! Are you sure
it fell here?"
"I don't seem to have it about me," I answered, with cryptic, but
entire veracity. I searched about my pockets, with a puckered brow.
"And as we stopped here--"
I looked inquiringly into the water.
"From this side," observed the Vision, impersonally, "there is less
glare from the brook."
Having tied Guendolen to a swinging limb, I sat down contentedly in
these woods. The Vision moved a little, lest I be crowded.
"It might be further up the road," she suggested.
"Oh, I must have left it at the hotel," I observed.
"You might look--" said she, peering into the water.
"Forever!" I assented.
The Vision flushed, "I didn't mean--" she began.
"But I did," quoth I,--"and every word of it."
"Why, in that case," said she, and rose to her feet, "I'd better--" A
frown wrinkled her brow; then a deep, curved dimple performed a similar
office for her cheek. "I wonder--" said she.
"Why, you would be a bold-faced jig," said I, composedly; "but, after
all there is nobody about. And, besides,--for I suspect you of being
one of the three dilapidated persons in veils who came last night,--we
are going to be introduced right after supper, anyway."
The Vision sat down. "You mentioned your sanatorium?" quoth she.
"The Asylum of Love," said I; "discharged--under a false impression,
--as cured, and sent to paradise.
"Oh!" said I, defiant, "but it _is_!"
She looked about her. "The woods _are_ rather beautiful," she conceded,
softly.
"They form a quite appropriate background," said I. "It is a veritable
Eden, before the coming of the snake."
"Before?" she queried, dubiously.
Public-domain text, read in full here on John Shaqi.
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