There was a sub-tang of veracity in my deprecation of an unasked-for artistic temperament; the thing is very often a nuisance, and was just then a barrier which I perceived plainly; and with equal plainness I perceived the pettier motives that now caused me to point it out as a barrier to Marian. My lips curled half in mockery of myself, as I framed the bitter smile I felt the situation demanded; but I was fired with the part I was playing; and half-belief had crept into my mind that Marian Winwood was created, chiefly, for the purpose which she had already served. I regarded her, in fine, as through the eyes of future readers of my biography. She would represent an episode in my life, as others do in that of Byron or of Goethe. I pitied her sincerely; and, under all, what moralists would call my lower nature, held in leash for two months past, chuckled, and grinned, and leaped, at the thought of a holiday. She rose to her feet. "Good-bye," said she. "You--you understand, dear?" I queried, tenderly. "Yes," she answered; "I understand--not what you have just told me, for in that, of course, you have lied. That Jemmett girl and her money is at the bottom of it all, of course. You didn't want to lose her, and still you wanted to play with me. So you were pulled two ways, poor dear." "Oh, well, if that is what you think of me--!" "You see, you are not an uncommon type,--a type not strong enough to live life healthily, just strong enough to dabble in life, to trifle with emotions, to experiment with other people's lives. Indeed, I am not angry, dear; I am only--sorry; for you have played with me very nicely indeed, and very boyishly, and the summer has been very happy." 5 I returned to Lichfield and wrote _As the Coming of Dawn_. I spent six months in this. My work at first was mere copying of the book that already existed in my brain; but when it was transcribed therefrom, I wrote and rewrote, shifted and polished and adorned until it seemed I would never have done; and indeed I was not anxious to have done with any labour so delightful. Particularly did I rejoice in the character for which Marian Winwood had posed. Last summer's note-book here came into play; and now, for once, my heroine was in no need of either shoving or prompting. She did things of her own accord, and I was merely her scribe... I would vain-gloriously protest, just to myself, that the love scenes in this story were the most exquisite and, with all that, the most genuine love scenes I knew of anywhere. "By God!" I would occasionally say with Thackeray; "I _am_ a genius!" Besides, the story of the book, I knew, was novel and astutely wrought; its progress caught at once and teased your interest always, so that having begun it, most people would read to the end, if only to discover "how it all came out." I knew the book, in fine, could hardly fail to please and interest a number of people by reason of its plot alone.