The Cornhill Magazine, February, 1860 (Vol. I, No. 2)Various
General
The Cornhill Magazine, February, 1860 (Vol. I, No. 2)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
And to think this goes on every day, and every day has been repeated
for a thousand years! Generally, though, we don’t like to think about
that, as Mr. Kingsley has remarked, among others; for when he wrote,
“Is it not a grand thought, the silence and permanence of nature amid
the perpetual noise and flux of human life!--a grand thought, that one
generation goeth and another cometh, and the earth abideth for ever?”
he also meant, “Isn’t it a melancholy thought?” For my part, I believe
this reflection to be the fount of all that melancholy which is in man.
I speak in the broadest sense, meaning that whereas whenever you find a
man you find a melancholy animal, this is the secret of his melancholy.
The thought is so common and so old; it has afflicted so many men in
so many generations with a sort of philosophical sadness, that it
comes down to us like an hereditary disease, of which we have lost the
origin, and almost the consciousness. It is an universal disposition
to melancholy madness, in short. Savages who run wild in woods are
not less liable to its influence than we who walk in civilized Pall
Mall. On the contrary, a savage of any brains at all is the most
melancholy creature in the world. Not Donizetti, nor Mendelssohn,
nor Beethoven himself ever composed such sad songs as are drummed
on tom-toms, or piped through reeds, or chanted on the prairies and
lagoons of savage land. No music was ever conceived within the walls of
a city so profoundly touching as that which Irish pipers and British
harpers made before an arch was built in England. Now this bears out
our supposition; for the savage with the tom-tom, the piper with his
pipe, the harper with his harp, lived always in sight of nature. Their
little fussy lives and noisy works were ever in contrast with its
silence and permanence; change and decay with the constant seasons and
the everlasting hills. Who cannot understand the red man’s reverence
for inanimate nature read by this light--especially his reverence for
the setting sun? For the night cometh, reminding him of his own little
candle of an existence, while he knows that the great orb has risen
upon a hundred generations of hunters, and will rise upon a hundred
more. As for him and his works, his knife will be buried with him, and
there an end of him and his works.
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