The Cornhill Magazine, February, 1860 (Vol. I, No. 2)Various
General
The Cornhill Magazine, February, 1860 (Vol. I, No. 2)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
A man in a cloak crosses the
stage. A masked cavalier rushes after him with a drawn sword. There is
a _rixe_ at once established; the audience begin to imagine all sorts
of terrible things, and the success of the piece is half assured. So
“auld Hogart’s” play of _Troy Taken_, begins with a _rixe_. Paris is
seen in the very act of running away with Helen; and Menelaus runs
after them, calling “Stop thief!” With such an auspicious commencement,
and plenty of good boisterous episodes throughout: Hector dragged about
by the heels; Thersites cudgelled within an inch of his life; Achilles
storming for half an hour at the loss of Patrocles, and a real wooden
horse to finish up with: the whole spiced with “auld Hogart’s” broadest
jokes: who can wonder that _Troy Taken_ achieved immense popularity,
and that years after the death of the facetious author, natural
philosopher Adam Walker saw the piece performed from recollection by
the Troutbeck rustics, the stage a greensward, the auditorium a grassy
knoll, the canopy, Heaven? The proceedings were inaugurated by a grand
cavalcade, headed by the minstrels of five parishes, and a lusty yeoman
mounted on a bull’s back and playing on the fiddle; and as a prologue
to _Troy Taken_, there was a pilgrimage of the visitors to a stone
dropped by the enemy of mankind in an unsuccessful attempt to build a
bridge across Windermere!
The brother of the “auld” dramatist of the _Iliad_, and third son of
the Bampton yeoman, was Richard Hogart. Without being dogmatical, I
trust that I am justified in the assumption that the “liquefaction”
of the patronymic into Hogarth was due partly to the more elegant
education of this yeoman’s son, partly to our painter’s formation of a
“genteel” connection, when he married Jane Thornhill. I have not seen
his indentures; and take the authority of Ireland for the registry of
his birth; but it is certain that he was at one period called,--ay, and
pretty well known--as Hogart: witness Swift, in his hideously clever
satire of the _Legion Club_:--
“How I want thee, hum’rous Hogart,
Thou, I hear, a pleasant rogue art”--
Public-domain text, read in full here on John Shaqi.
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