The Cornhill Magazine (Vol. I, No. 3, March 1860)Various
History
The Cornhill Magazine (Vol. I, No. 3, March 1860)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
Montaigne and Howel’s Letters are my bedside books. If I wake at night,
I have one or other of them to prattle me to sleep again. They talk
about themselves for ever, and don’t weary me. I like to hear them tell
their old stories over and over again. I read them in the dozy hours,
and only half remember them. I am informed that both of them tell coarse
stories. I don’t heed them. It was the custom of their time, as it is of
Highlanders and Hottentots, to dispense with a part of dress which we
all wear in cities. But people can’t afford to be shocked either at Cape
Town or at Inverness every time they meet an individual who wears his
national airy raiment. I never knew the _Arabian Nights_ was an improper
book until I happened once to read it in a “family edition.” Well, _qui
s’excuse_.... Who, pray, has accused me as yet? Here am I smothering
dear good old Mrs. Grundy’s objections, before she has opened her mouth.
I love, I say, and scarce ever tire of hearing, the artless prattle of
those two dear old friends, the Perigourdin gentleman and the priggish
little Clerk of King Charles’s Council. Their egotism in nowise disgusts
me. I hope I shall always like to hear men, in reason, talk about
themselves. What subject does a man know better? If I stamp on a friend’s
corn, his outcry is genuine,—he confounds my clumsiness in the accents of
truth. He is speaking about himself, and expressing his emotion of grief
or pain in a manner perfectly authentic and veracious. I have a story of
my own, of a wrong done to me by somebody, as far back as the year 1838:
whenever I think of it, and have had a couple glasses of wine, I _cannot_
help telling it. The toe is stamped upon: the pain is just as keen as
ever: I cry out, and perhaps utter imprecatory language. I told the story
only last Wednesday at dinner:—
“Mr. Roundabout,” says a lady sitting by me, “how comes it that in your
books there is a certain class (it may be of men, or it may be of women,
but that is not the question in point)—how comes it, dear sir, there is
a certain class of persons whom you always attack in your writings, and
savagely rush at, goad, poke, toss up in the air, kick, and trample on?”
I couldn’t help myself. I knew I ought not to do it. I told her the whole
story, between the entrées and the roast. The wound began to bleed again.
The horrid pang was there, as keen and as fresh as ever. If I live half
as long as Tithonus, that crack across my heart can never be cured. There
are wrongs and griefs that _can’t_ be mended. It is all very well of you,
my dear Mrs. G., to say that this spirit is unchristian, and that we
ought to forgive and forget, and so forth. How can I forget at will? How
forgive? I can forgive the occasional waiter, who broke my beautiful old
decanter at that very dinner. I am not going to do him any injury. But
all the powers on earth can’t make that claretjug whole.
Public-domain text, read in full here on John Shaqi.
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