The Cornhill Magazine (Vol. I, No. 3, March 1860)Various
History
The Cornhill Magazine (Vol. I, No. 3, March 1860)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
tone of the most unfeigned simplicity, “I don’t care.” And we became good
friends immediately, and esteemed each other ever after.
So, my dear Archilochus, if you come upon this paper, and say, “Fudge!”
and pass on to another, I for one shall not be in the least mortified.
If you say, “What does he mean by calling this paper _On Two Children
in Black_, when there’s nothing about people in black at all, unless the
ladies he met (and evidently bored) at dinner, were black women. What is
all this egotistical pother? A plague on his I’s!” My dear fellow, if you
read Montaigne’s Essays, you must own that he might call almost any one
by the name of any other, and that an essay on the Moon or an essay on
Green Cheese would be as appropriate a title as one of his on Coaches,
on the Art of Discoursing, or Experience, or what you will. Besides, if
I _have_ a subject (and I have), I claim to approach it in a roundabout
manner.
You remember Balzac’s tale of the _Peau de Chagrin_, and how every time
the possessor used it for the accomplishment of some wish the fairy
_Peau_ shrank a little and the owner’s life correspondingly shortened? I
have such a desire to be well with my public that I am actually giving
up my favourite story. I am killing my goose, I know I am. I can’t tell
my story of the children in black after this; after printing it, and
sending it through the country. On the first of March next, these little
things become public property. I take their hands. I bless them. I say,
“Good-bye, my little dears.” I am quite sorry to part with them: but the
fact is, I have told all my friends about them already, and don’t dare to
take them about with me any more.
Now every word is true of this little anecdote, and I submit that there
lies in it a most curious and exciting little mystery. I am like a man
who gives you the last bottle of his 25 claret. It is the pride of his
cellar; he knows it, and he has a right to praise it. He takes up the
bottle, fashioned so slenderly—takes it up tenderly, cants it with care,
places it before his friends, declares how good it is, with honest pride,
and wishes he had a hundred dozen bottles more of the same wine in his
cellar. _Si quid novisti_, &c., I shall be very glad to hear from you. I
protest and vow I am giving you the best I have.
Public-domain text, read in full here on John Shaqi.
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