The Cornhill Magazine (Vol. I, No. 3, March 1860)Various
History
The Cornhill Magazine (Vol. I, No. 3, March 1860)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
Now, suppose she _was_ a flirt. Suppose, under a mask of levity, she hid
a profound sorrow. Do you suppose she was the first woman who ever has
done so? Do you suppose because she has fifteen pounds a year, her tea,
sugar, and beer, and told fibs to her masters and mistresses, she had
not a heart? She went out of the room, absolutely coaxing and leering
at me as she departed, with a great counterpane over her arm; but in
the next apartment I heard her voice quite changed, and another changed
voice too—though not so much altered—interrogating her. My friend Dick
Bedford’s voice, in addressing those whom Fortune had pleased to make
his superiors, was gruff and brief. He seemed to be anxious to deliver
himself of his speech to you as quickly as possible; and his tone always
seemed to hint, “There—there is my message, and I have delivered it;
but you know perfectly well that I am as good as you.” And so he was,
and so I always admitted: so even the trembling, believing, flustering,
suspicious Lady Baker herself admitted, when she came into communication
with this man. I have thought of this little Dick as of Swift at Sheen
hard by, with Sir William Temple: or Spartacus when he was as yet the
servant of the fortunate Roman gentleman who owned him. Now if Dick was
intelligent, obedient, useful, only not rebellious, with his superiors, I
should fancy that amongst his equals he was by no means pleasant company,
and that most of them hated him for his arrogance, his honesty, and his
scorn of them all.
But women do not always hate a man for scorning and despising them.
Women do not revolt at the rudeness and arrogance of us their natural
superiors. Women, if properly trained, come down to heel at the master’s
bidding, and lick the hand that has been often raised to hit them. I do
not say the brave little Dick Bedford ever raised an actual hand to this
poor serving girl, but his tongue whipped her, his behaviour trampled on
her, and she cried, and came to him whenever he lifted a finger. Psha!
Don’t tell _me_. If you want a quiet, contented, orderly home, and things
comfortable about you, that is the way you must manage your women.
Well, Bedford happens to be in the next room. It is the morning-room at
Shrublands. You enter the dining-room from it, and they are in the habit
of laying out the dessert there, before taking it in for dinner. Bedford
is laying out his dessert as Pinhorn enters from my chamber, and he
begins upon her with a sarcastic sort of grunt, and a “Ho! suppose you’ve
been making up to B., have you?”
“Oh, Mr. Bedford, _you_ know very well who it is I cares for!” she says,
with a sigh.
“Bother!” Mr. B. remarks.
“Well, Richard then!” (here she weeps.)
“Leave go my ’and!—leave go my a-hand, I say!” (What _could_ she have
been doing to cause this exclamation?)
“Oh, Richard, it’s not your ’_and_ I want—it’s your ah-ah-art, Richard!”
Public-domain text, read in full here on John Shaqi.
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