The Cornhill Magazine (Vol. I, No. 4, April 1860)Various
General
The Cornhill Magazine (Vol. I, No. 4, April 1860)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
Some day our spirits may be permitted to walk in galleries of fancies
more wondrous and beautiful than any achieved works which at present we
see, and our minds to behold and delight in masterpieces which poets’ and
artists’ minds have fathered and conceived only.
With a feeling much akin to that with which I looked upon the
friend’s—the admirable artist’s—unfinished work, I can fancy many readers
turning to these—the last pages which were traced by Charlotte Brontë’s
hand. Of the multitude that has read her books, who has not known and
deplored the tragedy of her family, her own most sad and untimely fate?
Which of her readers has not become her friend? Who that has known her
books has not admired the artist’s noble English, the burning love of
truth, the bravery, the simplicity, the indignation at wrong, the eager
sympathy, the pious love and reverence, the passionate honour, so to
speak, of the woman! What a story is that of that family of poets in
their solitude yonder on the gloomy northern moors! At nine o’clock at
night, Mrs. Gaskell tells, after evening prayers, when their guardian
and relative had gone to bed, the three poetesses—the three maidens,
Charlotte, and Emily, and Anne—Charlotte being the “motherly friend and
guardian to the other two”—“began, like restless wild animals, to pace
up and down their parlour, “making out” their wonderful stories, talking
over plans and projects, and thoughts of what was to be their future
life.”
One evening, at the close of 1854, as Charlotte Nicholls sat with her
husband by the fire, listening to the howling of the wind about the
house, she suddenly said to her husband, “If you had not been with me,
I must have been writing now.” She then ran upstairs, and brought down,
and read aloud, the beginning of a new tale. When she had finished,
her husband remarked, “The critics will accuse you of repetition.”
She replied, “Oh! I shall alter that. I always begin two or three
times before I can please myself.” But it was not to be. The trembling
little hand was to write no more. The heart, newly awakened to love and
happiness, and throbbing with maternal hope, was soon to cease to beat;
that intrepid outspeaker and champion of truth, that eager, impetuous
redresser of wrong, was to be called out of the world’s fight and
struggle, to lay down the shining arms, and to be removed to a sphere
where even a noble indignation _cor ulterius nequit lacerare_, and where
truth complete, and right triumphant, no longer need to wage war.
Public-domain text, read in full here on John Shaqi.
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