The Cornhill Magazine (Vol. I, No. 4, April 1860)Various
General
The Cornhill Magazine (Vol. I, No. 4, April 1860)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
[2] To me there is something candid, naïve, and often something
noble in this personal consciousness and confidence, this moderate
self-trumpeting. “_Questi sono miri!_” cried Napoleon, when, at the
sack of Milan, the MS. treatises of Leonardo da Vinci were discovered;
and he bore them in triumph to his hotel, suffering no meaner hand to
touch them. _He_ knew—the Conquering Thinker—that he alone was worthy
to possess those priceless papers. So too, Honoré de Balzac calmly
remarking that there were only three men in France who could speak French
correctly: himself, Victor Hugo, and “Théophile” (T. Gautier). So, too,
Elliston, when the little ballet-girl complained of having been hissed:
“They have hissed _me_,” said the awful manager, and the dancing girl
was dumb. Who can forget the words that Milton wrote concerning things
of his “that posteritie would not willingly let die?” and that Bacon
left, commending his fame to “foreign nations and to the next age?” And
Turner, simply directing in his will that he should be buried in St.
Paul’s Cathedral? That sepulchre, the painter knew, was his of right. And
innocent Gainsborough, dying: “We are all going to heaven, and Vandyke is
of the company.” And Fontenelle, calmly expiring at a hundred years of
age: “_Je n’ai jamais dit la moindre chose centre la plus petite vertu._”
’Tis true, that my specious little argument falls dolefully to the ground
when I remember that which the wisest man who ever lived said concerning
a child gathering shells and pebbles on the sea-shore, when the great
ocean of truth lay all undiscovered before him.
[3] The bezant (from Byzantium) was a round knob on the scutcheon,
blazoned yellow. “Golp” was purple, _the colour of an old black eye_, so
defined by the heralds. “Sanguine” or “guzes” were to be congested red,
like bloodshot eyes; “torteaux” were of another kind of red, like “Simnel
cakes.” “Pomeis” were to be green like apples. “Tawny” was orange. There
were also “hurts” to be blazoned blue, as bruises are.—_New View of
London_, 1712.
[4] I believe Pope’s sneer against poor Elkanah Settle (who died very
comfortably in the Charterhouse, 1724, ætat. 76: he was alive in 1720,
and succeeded Rowe as laureate), that he was reduced in his latter days
to compass a motion of St. George and the Dragon at Bartholomew fair, and
himself enacted the dragon in a peculiar suit of green leather, his own
invention, to have been a purely malicious and mendacious bit of spite.
Moreover, Settle died years after Pope assumed him to have expired.
[5] 1720. The horrible room in Newgate Prison where in cauldrons of
boiling pitch the hangman seethed the dissevered limbs of those executed
for high treason, and whose quarters were to be exposed, was called “Jack
Ketch’s kitchen.”
[6] Compare these voluntary torments with the description of the _Dosèh_,
or horse-trampling ceremonial of the Sheik El Bekree, over the bodies of
the faithful, in Lane’s _Modern Egyptians_.
Public-domain text, read in full here on John Shaqi.
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