The Cornhill Magazine (Vol. IV, No. 2, August 1861)Various
General
The Cornhill Magazine (Vol. IV, No. 2, August 1861)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
There might have been times in Agnes’ life when the reception of this
note would have astonished and perplexed her; but the whole strain
of thought and conversation this evening had been in exalted and
poetical regions, and the soft stillness of the hour, the wonderful
calmness and clearness of the moonlight, all seemed in unison with the
strange incident that had occurred, and with the still stranger tenor
of the paper. The soft melancholy and half-religious tone of it was
in accordance with the whole undercurrent of her life, and prevented
that start of alarm which any homage of a more worldly form might have
excited. It is not to be wondered at, therefore, that she read it
many times with pauses and intervals of deep thought, and then with a
movement of natural and girlish curiosity examined the rich jewel which
had enclosed the paper. At last, seeming to collect her thoughts, she
folded the paper and replaced it in its sparkling recess, and, unlocking
the door of the shrine, laid the gem with its inclosure beneath the
lily-spray, as another offering to the Madonna. “Dear Mother,” she
prayed, “if indeed it be so, may he rise from loving me to loving thee
and thy dear Son, who is Lord of all! Amen!” Thus praying, she locked the
door and turned thoughtfully to her repose, leaving the monk pacing up
and down in the moonlit garden.
Meanwhile the cavalier was standing on the velvet mossy bridge which
spanned the stream at the bottom of the gorge, watching the play of
moonbeams on layer after layer of tremulous silver foliage in the clefts
of the black, rocky walls on either side. The moon rode so high in the
deep violet-coloured sky, that her beams came down almost vertically,
making green and translucent the leaves through which they passed, and
throwing strongly marked shadows here and there on the flower-embroidered
moss of the old bridge. There was that solemn, plaintive stillness in the
air which makes the least sound—the hum of an insect’s wing, the cracking
of a twig, the patter of falling water—distinct and impressive.
It needs not to be explained how the cavalier, following the steps of
Agnes and her grandmother at a distance, had threaded the path by which
they ascended to their little sheltered nook—how he had lingered within
hearing of Agnes’ voice, and moving among the surrounding rocks and
trees, and drawing nearer and nearer as evening shadows drew on, had
listened to the conversation, hoping that some unexpected chance might
gain him a moment’s speech with his enchantress.
Public-domain text, read in full here on John Shaqi.
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