The Cornhill Magazine, (vol. XLI, no. 243 new series, September 1916)Various
History
The Cornhill Magazine, (vol. XLI, no. 243 new series, September 1916)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
The two ladies drove silently on, and were soon amongst the movement
and traffic of the Oxford streets. Connie’s mind was steeped in
passionate feeling. Till now Falloden had touched first her senses,
then her pity. Now in these painful and despondent attempts of his to
adjust himself to Otto’s weakness and irritability, he was stirring
sympathies and enthusiasms in her which belonged to that deepest soul
in Connie which was just becoming conscious of itself. And all the
more, perhaps, because in Falloden’s manner towards her there was
nothing left of the lover. For the moment at any rate she preferred it
so. Life was all doubt, expectation, thrill--its colour heightened, its
meanings underlined. And in her complete uncertainty as to what turn
it would take, and how the doubt would end, lay the spell--the potent
tormenting charm--of the situation.
She was sorry, bitterly sorry for Radowitz--the victim. But she loved
Falloden--the offender! It was the perennial injustice of passion, the
eternal injustice of human things.
When Falloden was half-way up the hill, he left the road, and took
a short cut through fields, by a path which led him to the back of
the cottage, where its sitting-room window opened on the garden and
the view. As he approached the house, he saw that the sitting-room
blinds had not been drawn, and some of the windows were still open.
The whole room was brilliantly lit by fire and lamp. Otto was there
alone, sitting at the piano, with his back to the approaching spectator
and the moonlit night outside. He was playing something with his left
hand; Falloden could see him plainly. Suddenly, he saw the boy’s figure
collapse. He was still sitting, but his face was buried in his arms
which were lying on the piano; and through the open window, Falloden
heard a sound which, muffled as it was, produced upon him a strange and
horrible impression. It was a low cry, or groan--the voice of despair
itself.
Falloden stood motionless. All he knew was that he would have given
anything in the world to recall the past; to undo the events of that
June evening in the Marmion quadrangle.
Then, before Otto could discover his presence, he went noiselessly
round the corner of the house, and entered it by the front door. In the
hall, he called loudly to the ex-scout, as he went upstairs, so that
Radowitz might know he had come back. When he returned, Radowitz was
sitting over the fire with sheets of scribbled music paper on a small
table before him. His eyes shone, his cheeks were feverishly bright. He
turned with forced gaiety at the sight of Falloden--
‘Well, did you meet them on the road?’
‘Lady Constance, and her friend? Yes. I had a few words with them. How
are you now? What did the doctor say to you?’
‘What on earth does it matter!’ said Radowitz impatiently. ‘He was just
a fool--a young one--the worst sort--I can put up with the old ones. I
know my own case a great deal better than he does.’
Public-domain text, read in full here on John Shaqi.
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