The Cornhill Magazine, (vol. XLI, no. 243 new series, September 1916)Various
History
The Cornhill Magazine, (vol. XLI, no. 243 new series, September 1916)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
Out in the quiet paddock, with the mellow brick walls screening them
from the common life in Bushey Park, they are browsing gently through
the last days of their existence. It is not so many years since, gay
with trappings, led by a groom apiece to restrain their Hanoverian
tempers, these old cream-coloured horses drew the wonderful glass coach
through the streets of London, haughtily accepting for themselves
the acclamations of the people. At how many pageants, could they but
tell us, have they not assisted? Are they old enough to have drawn
Queen Victoria to her Diamond Jubilee, and did they drag that heavy
gun-carriage with its pathetically small burden through the mourning
streets on a Queen’s last journey? Certainly in their own estimation
they were the central figures on the chilly August day when they
at last carried King Edward to Westminster Abbey amid the joyous
thanksgiving of a whole Empire. Their reminiscences would not probably
take them very far into the present reign. It must be some little time
since the next generation callously ousted them from between the royal
shafts, stripped them once for all of their gay trappings, and set them
on a back shelf of history.
So now they browse and slumber among the buttercups, and perhaps wonder
vaguely at their unshorn and generally disordered condition, and at
their prolonged days of idleness. They know and care nothing about the
war. They are aliens who have no need to be registered, naturalised as
they have been by long generations of royal service. For it is just two
hundred years since the first George, in a spirit of arrogance which,
as a race, they appear to have assimilated, brought their ancestors
from Hanover to draw his royal coach in his adopted country.
Public-domain text, read in full here on John Shaqi.
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