The Cornhill Magazine, (vol. XLI, no. 243 new series, September 1916)Various
History
The Cornhill Magazine, (vol. XLI, no. 243 new series, September 1916)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
We discovered quite early (on the following morning about dawn, to be
precise) that there had been no exaggeration. We began with elementary
driving drill, and we did four and a half hours of it straight on end,
except for occasional ten-minute halts to rest the astonished teams. It
was wonderful how much we had forgotten and yet how much came back to
us after the first hour or so.
‘I want all your officers to drill the battery in turn,’ said the
colonel. ‘I shall just ride round and correct mistakes.’
He did--with an energy, a power of observation, and a command of
language which I have seldom seen or heard surpassed. But the ultimate
result by mid-day, when all the officers and N.C.O.s were hoarse, the
teams sweating and the carriages caked in oily dust--the ultimate
result was, as the Child politely says, ‘not too stinkin’ awful.’ And
it had been good to hear once again the rattle and bump of the guns and
wagons over hard ground, the jingle of harness and the thud of many
hoofs; good to see the teams swing round together as they wheeled into
line or column at a spanking trot; good above all to remember that
_this_ was our job and that the months spent in concrete gun-pits and
double-bricked O.P.s were but a lengthy prelude to our resumption of
it--some day.
In the evening, when the day’s work was over and ‘stables’ finished, we
left the tired horses picking over the remains of their hay and walked
down the _pavé_ village street, Angelo and I, to look at the church.
Angelo is my eldest but not, as it so happens, my senior subaltern.
Before the war he was a budding architect, with a taste for painting:
hence the nickname, coined by the Child in one of his more erudite
moods.
The church at L---- is very fine. Its square tower is thirteenth
century, its interior is pure Gothic, and its vaulted roof a marvel.
For its size the building is well-nigh perfect. We spent some time
examining the nave and chancel--Angelo, his professional as well as
his artistic enthusiasm aroused, explaining technicalities to me and
making me envious of his knowledge. It was with regret that we turned
away at last, for in spite of the tattered colours of some French
regiment which hung on the north side of the chancel, we had forgotten
the war in the quiet peacefulness of that exquisite interior. But we
were quickly reminded. At the end of the church, kneeling on one of
the rough chairs, was an old peasant woman: her head was bowed, and
the beads dropped slowly through her twisted fingers. As we crept
down the aisle she raised her eyes--not to look at us, for I think
she was unconscious of our presence--but to gaze earnestly at the
altar. Her lips moved in prayer, but no tear damped her yellow cheek.
And, passing out into the sunlight again, I wondered for whom she was
praying--husband, brother, sons?--whether, still hoping, she prayed for
the living, or, faithfully, for the souls of those lost to her. They
are brave, the peasant women of France....
Public-domain text, read in full here on John Shaqi.
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