The Cornhill Magazine (vol. XLII, no. 250 new series, April 1917)Various
History
The Cornhill Magazine (vol. XLII, no. 250 new series, April 1917)
Various
England -- Periodicals; English literature -- Periodicals; Short stories, English -- Periodicals
But the minarets beckon; they prove the best of guides. Their white
spires give a sure clue to the whereabouts of the ancient mosques and
churches. And here, through my window, I could count most of these
landmarks by which I steered. Nearest and tallest rose the minaret of
Sancta Sophia, Holy Wisdom, the cathedral church of the Metropolitan.
During the ceremonies of Holy Week and Easter great crowds had gathered
here. Good Friday was the day of the people’s procession. The peasants
from the scattered villages brightened the town with the cheerful reds
and blues of their national costumes, and at night all the world walked
singing solemn chants, following the bishops in their glittering copes
and jewelled mitres and the simple flower-arched bier.
Easter Eve proved to be the official festival of the Greek army and
government. A dense mass of people filled the church and surged
confusedly in the darkness of the open square outside it; each man,
woman, and child, holding an unlit candle in their hands—some large, some
small—painted with holy symbols and flowers; careful souls, mindful of
their gala clothes, taking pains to hold their candle gingerly by its
long cotton wick.
Within the building the deep gloom was hardly broken by the lights at
the two lecterns, at which the laity read by turns, and the glimmer from
where behind the icon-screen came the murmur of priests intoning. After
what felt an interminable period of waiting, it was midnight. ‘Christ is
risen,’ came the cry. The heavy gold embroidered curtain rose, disclosing
within the sanctuary the long, low Altar of the Last Supper. Out poured
a brilliant procession of ecclesiastics, marching down the nave to take
their stand on the platform in the outer court; everyone in the crowd
lighting his candle from his neighbour’s as the _cortège_ passed along.
In a moment the church was bright from end to end. The massive pillars
stood like rocks in a waving flickering sea of gold. Then, for the first
time, the great Madonna of the apse shone revealed. Enthroned on high,
against the hollow, glowing background of mosaic, She held out Her Son
to bless a strange assemblage under the dome, where British and French
officers stood with their Greek comrades, headed by the Greek General
Commanding, and all his staff, each holding a lighted taper in honour of
His resurrection.
What a night for the German aircraft, suddenly flashed across our minds!
In the very street outside, now lit with a thousand lights and packed
with human beings, I had seen their ugly work only a few weeks before. I
shuddered as we forged our way home.
Up the hill directly above Sancta Sophia, the somewhat stumpy minaret of
St. Paraskevi reared its head. This grand fourth-century basilica, finer
than any building of its kind at Constantinople, is now given over to the
Greek refugees from Asia Minor. Their carpets and piteous coloured rags
hang in complete disorder from its high wooden galleries.
Public-domain text, read in full here on John Shaqi.
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