England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; Mother and child -- Fiction; Political fiction
"Mind that gate, Jackson," said Marcia. The youth silenced, looked to his
steering, and brought the motor up safely to the door of the farm.
A rather draggled maid-servant answered Marcia's ring, examined her
furtively, and showed her into the little drawing-room. Marcia stood at the
window, looking out. She saw the motor disappearing toward the garage which
she understood was to be found somewhere on the premises. The storm was
drawing nearer; the rising grounds to the west were in black shadow--but on
the fields and scattered buildings in front, wild gleams were striking now
here, now there. How trim everything was!--how solid and prosperous. The
great cattle-shed on the one hand--the sheep-station on the other, with its
pens and hurdles--the fine stone-built laboratory--the fields stretching to
the distance.
She turned to the room in which she stood. Nothing trim or solid there! A
foundation indeed of simple things, the chairs and tables of a bachelor's
room, over which a tawdry taste had gone rioting. Draperies of "art"
muslin; photographs in profusion--of ladies in very low dresses and
affected poses, with names and affectionate messages written across the
corners;--a multitude of dingy knick-knacks; above the mantelpiece a large
colored photograph of Mrs. Betts herself as Ariel; clothes lying about;
muddy shoes; the remains of a meal: Marcia looked at the medley with quick
repulsion, the wave of feeling dropping.
The door opened. A small figure in a black dress entered softly, closed the
door behind her, and stood looking at Miss Coryston. Marcia was at first
bewildered. She had only seen Mrs. Betts once before, in her outdoor
things, and the impression left had been of a red-eyed, disheveled,
excitable woman, dressed in shabby finery, the sort of person who would
naturally possess such a sitting-room as that in which they stood. And here
was a woman austerely simple in dress and calm in manner! The black gown,
without an ornament of any kind, showed the still lovely curves of the
slight body, and the whiteness of the arms and hands. The face was quiet,
of a dead pallor; the hair gathered loosely together and held in place by a
couple of combs, was predominantly gray, and there had been no effort this
time to disguise the bareness of the temples, or the fresh signs of age
graven round eyes and lips.
For the first time the quick sense of the girl perceived that Mrs. Betts
was or had been a beautiful woman. By what dramatic instinct did she thus
present herself for this interview? A wretched actress on the boards, did
she yet possess some subtle perception which came into play at this crisis
of her own personal life?
Public-domain text, read in full here on John Shaqi.
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