And yet--and yet! Some penetrating instinct to which in this moment of solitude, of unwilling reflection, she could not help but listen, told her that the very soul of him was not hers; that the deepest foundation of his life was no human affection, but the rapture, the compelling vision of a mystical faith. And that rapture she could never share; she knew herself; it was not in her. One moment she could have cried out in despair over her own limitations and disabilities. The next she was jealous; on fire. Jealous!--that was the real, sadly human truth; jealous, as women have always been, of the faith, or the art, or the friendship, which threatens their hold upon the lover. And there stole upon her as she sat musing, the old, old temptation--the temptation of Psyche--to test and try this man, who was to bring her into bondage, before the bonds were yet quite set. She was honestly touched by Mrs. Betts's story. To her, in her first softness of love, it seemed intolerably hard and odious that two people who clung to each other should be forcibly torn apart; two people whom no law, but only an ecclesiastical scruple condemned. Surely Edward would accept, and persuade his father to accept, the compromise which the husband and wife suggested. If Mrs. Betts withdrew from the scene, from the estate, would not this satisfy everybody? What further scandal could there be? She went on arguing it with herself, but all the time the real, deepest motive at work was not so much sympathy, as a kind of excited restlessness--curiosity. She saw herself pleading with Edward, breaking down his resistance, winning her cause, and then, instead of triumphing, flinging herself into his arms, to ask pardon for daring to fight him. The happy tears blinded her, and fell unheeded until a mocking reaction dried them. "Oh, what a fool!--what a fool!" And running through the wood she came out into the sunshine at its farther end--a blaze of sun upon the lake, its swans, its stone-rimmed islands, and statuary, on the gray-white front of the pillared and porticoed house, stretching interminably. The flowers shone in the stiff beds; a rain of blossom drifted through the air. Everything glittered and sparkled. It was Corinthian, pretentious, artificial; but as Marcia hurried up the broad middle walk between the queer gods and goddesses, whom some pupil of Bernini's had manufactured in Rome for a Coryston of the eighteenth century, she was in love with the scene, which in general she disliked; in love with the summer, in love above all with the quick life of her own mind and body....