The Cottage on the FellsStacpoole, H. De Vere (Henry De Vere)
General
The Cottage on the Fells
Stacpoole, H. De Vere (Henry De Vere)
Detective and mystery stories; Fiction
“Yes,” said the girl behind the bar, “Jim Bronson. I saw him brought by,
covered with a sheet. Hacked about horrid they said he was.” She looked
up like an ogre, and then relapsed into _Tracked by a Stain_ just at the
part where the parson in the dogcart is approaching the murderer, who is
hidden behind the hedge.
“It’s not often you have those sort of occurrences here?” said
Freyberger.
“No,” replied the girl, with her eyes glued to the book.
“Very quiet neighbourhood, as a rule, I should think.”
“Yes.”
“Artists and people come here, I suppose, a good deal.”
“A good deal.”
Just at this moment a shadow darkened the doorway.
An old gentleman had entered the hall of “The White Hart.” He walked,
leaning on a stick.
He was dressed in well-worn grey tweed, and wore a felt hat,
fawn-coloured and rather broad of brim.
He came to the bar and called for an absinthe, and his voice caused
Freyberger to examine him more attentively.
There were many things about this voice, and they all conspired to mark
it out as a distinctive voice. A voice in a million.
It was the voice of an educated man, and it would be very hard to say
what there was in it repellent and chilling, but repellent and chilling
it was.
But it was the face of the newcomer that fascinated Freyberger.
“Where have I seen that face before?” he thought.
And then all at once came the reply born of the question.
“It is the face of Klein grown old.”
For a moment Freyberger was seized by a feeling of physical sickness.
The horrors and perplexities of the Gyde case had culminated in this
last horror and perplexity.
This could not be the man who, eight years ago, had sat for his portrait
to the photographer in Paris; this could not be the man whom Hellier had
followed on account of the likeness to that photograph.
This was an old, old man.
Had he aged then in the course of a few weeks? Had premature decay
fallen upon him, turning him almost at a stroke from a man of forty or
so to a man of seventy and more?
Was he himself mistaken?
No. This was indeed the face of the photograph, the face that had left
its imprint on the retina of Leloir, the same face seen through the veil
of age.
Yet if that were so, one would have to believe that this old man, who
seemed scarcely strong enough to harm a child, had a few hours ago
killed, with brutal ferocity, a fellow being.
As Freyberger sat examining the newcomer, he became aware that the
newcomer was examining him.
The young lady behind the bar had relapsed into _Tracked by a Stain_,
the shopboy with the butterfly net, the old gentleman sipping his
absinthe were of no interest to her.
Freyberger yawned. He felt that he was being observed, and he fancied
that he was being observed with approbation—the approbation with which a
butcher observes a fat sheep.
If this were so, the situation was not without its humour. The humour of
it did not, however, strike him. He was deficient in that sense.
Public-domain text, read in full here on John Shaqi.
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