The Cottage on the FellsStacpoole, H. De Vere (Henry De Vere)
General
The Cottage on the Fells
Stacpoole, H. De Vere (Henry De Vere)
Detective and mystery stories; Fiction
“‘I would then rub that face of marble with a very fine powder, and I
would apply a coating of the finest caoutchouc, over that a layer of
stiffening varnish.
“‘I would remove the whole, and paint the interior of the caoutchouc
with the flesh tints, thus giving the true appearance of life, _for the
human face is painted_ from the inside.
“‘I would then back the thing with a thicker layer of rubber and remove
the stiffening varnish from the outside.
“‘If my art did not fail me, I would now have a facsimile of my friend
or my enemy’s face. Could I wear it and masquerade as him? Only on two
conditions (1) that I could make the inside of the mask a perfect mould
of my own face (2) that he was a man, a man of my own height and a man
who wore glasses and a beard, for the joining at the eyes and at the
neck would present an insuperable difficulty were I to imitate a
clean-shaven man who did not wear glasses.’
“He brooded over the thing.
“One day he fell in with M. Lefarge, a rich jeweller, who was at times a
frequenter of the Latin Quarter, and the whole diabolical plan of the
Lefarge case was conceived in a flash.
“The plan of robbing and murdering a rich man in such a manner that the
world would fancy that the rich man was the assassin, not the victim.
“He made a bust of Lefarge, from the bust he made Lefarge’s face.
Lefarge wore a beard and glasses. The making of the exterior of the mask
was a bagatelle; the real difficulty was the interior, which had to be a
perfect adaptation to his own features, but he did it.
“Whilst this was going on, he made a most profound study of Lefarge
himself: his walk, his manner, his voice, his handwriting.
“He was, in fact, preparing to be Lefarge’s understudy for an hour or
two upon the stage of life.
“For three hours every day, during a space of four months, he wore the
mask, conversing with himself, laughing and talking before a
looking-glass, so that the thing might gain the lines and wrinkles of
life.
“One day he asked Lefarge to call upon him.
“Lefarge called. Muller murdered him, and stripped him of his clothes
and decapitated him.
“Then he dressed the body in his own clothes, put on the clothes of his
victim, put on his face, put on his hat, his manner, his walk and his
voice.
“Then, with his victim’s head in a black bag, he ran down the stairs,
got into his victim’s carriage, drove home, collected a hundred thousand
pounds’ worth of jewels, drove to the corner of the Rue d’Amsterdam and
disappeared.
“But Nemesis followed him. The murder of Lefarge had wakened up the lust
for killing that lay like a spectre in the darkness of his soul. He
killed three people to satiate this madness, as we have seen. Then he
was at peace.
“Six years passed. Then, in Vienna, he met Sir Anthony Gyde.
Public-domain text, read in full here on John Shaqi.
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