The Count of the Saxon Shore; or The Villa in Vectis.: A Tale of the Departure of the Romans from BritainChurch, Alfred John
History
The Count of the Saxon Shore; or The Villa in Vectis.: A Tale of the Departure of the Romans from Britain
Church, Alfred John
Great Britain -- History -- Roman period, 55 B.C.-449 A.D. -- Fiction; Historical fiction; Romans -- Great Britain -- Fiction
The Count refused to listen to these protests. Even the suggestion that
the cargo should be divided, and part left for a second voyage he scouted,
“It will not do,” he said, “the poor people would fancy they were being
left behind, and I am not at all sure that they would not be right. It is
only too likely that if we once get to the other side we should _not_ come
back. No! we will sink or swim together.”
About an hour before noon on the fifteenth of the month, the crews were
ready to weigh anchor. The Count and his daughter, who had just taken
their last view of the villa which had been their home for so many years,
were standing on the little jetty, ready to step into the boat that was to
convey them to the ship. Carna and the old priest and his wife were with
them, and the hour of farewell had come. Ælia, if she had not reconciled
herself to separation from her sister, at least saw that it was
inevitable, and was resolved not to make the parting bitterer than it must
needs be. She affected a cheerfulness which she did not feel.
“Good-bye, Carna,” she cried, throwing her arms round the girl’s neck.
“Good-bye! now we are going like swallows in the autumn, and very likely
shall come back like them in the spring. Meanwhile keep the nest as warm
for us as you can.”
“Remember, Carna,” said the Count, “that you have a home as long as either
I or my daughter have a roof over our heads. You are doing your duty in
staying, but there is a limit even to duty. As long as you can be of
service, stop; I would not have it otherwise; but don’t sacrifice yourself
and those that love you for nothing.”
Carna’s heart was too full to let her speak. She caught the Count’s hands
and kissed them. Then she turned to Ælia, and taking her gold cross and
chain—the only ornament that she wore—hung it round her sister’s neck.
When she had succeeded in choking down her sobs, she whispered, “Take
this, and, if you will give me yours, we will bear each other’s crosses,
and, perhaps, they will be a little lighter. But oh, how heavy!”
“Kneel, my children,” said the old priest, and the little group knelt
down, while the rowers in the boat uncovered their heads. After repeating
the paternoster and a few simple words of prayer, he raised his hand and
blessed them, then fell on his knees beside them. After two or three
minutes of silent supplication the Count rose, and almost lifted his
daughter into the boat, so broken down was she with the passion of her
grief. Carna remained on her knees, her face buried in her hands. To have
looked up and seen father and sister go was more than she dared to do. For
the struggle that she fancied was over had begun again in her heart, and
she could not feel sure even then that duty would prevail. The Count
gently laid his hand upon her head and blessed her, then stepped into the
boat. As the rowers dipped their oars in the water, a gleam of sunshine
burst through the clouds, and lighted as with a glory the head of the
kneeling girl.
Public-domain text, read in full here on John Shaqi.
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