The Count of the Saxon Shore; or The Villa in Vectis.: A Tale of the Departure of the Romans from BritainChurch, Alfred John
History
The Count of the Saxon Shore; or The Villa in Vectis.: A Tale of the Departure of the Romans from Britain
Church, Alfred John
Great Britain -- History -- Roman period, 55 B.C.-449 A.D. -- Fiction; Historical fiction; Romans -- Great Britain -- Fiction
She caught his right hand which he had reached out in the earnestness of
his speaking, and lifted it to her lips. Her kiss was the last expression
of her gratitude. And perhaps there was something in it of a woman’s love.
But she never faltered for one instant in the resolve that was to separate
them.
Behind Cedric stood a burly, middle-aged warrior, his father’s
foster-brother. He had watched the scene with an intense interest, and
though of course he could not understand what was said, had a very shrewd
notion of the turn which affairs were taking. Perhaps he saw, too,
expressed in the girl’s tone something of a feeling which the young man
was too rapt in his adoration to observe. Anyhow, he was ill-content that
his young chief should miss the bride on whom his heart was set, and who
seemed so worthy of him.
“A noble maiden!” he whispered to Cedric, “and fit to be the wife and
mother of kings; and I think that she loves you. Shall we carry her off? I
warrant that it will not be long before she forgives us.”
“Peace!” said Cedric, turning fiercely upon him, “Peace! Would you have me
wed a slave? My wife must come to me freely, or come not at all.”
He spoke to Carna again. “Your will is my law. If you say that we must
part, I go. But, lady, you must leave this house. My people are set upon
burning it, and I could not hinder them, if I would.”
Without another word, she obeyed his bidding, and passed into the court,
followed by Cedric and his attendants.
Meanwhile some of the Saxon crews had been busy with their torches, and
the flames were beginning to gain a mastery over the building. Before many
minutes had passed the sheds and outbuildings, which were, to a great
extent, constructed of wood, were in a blaze, while dense volumes of smoke
rolled out of the windows of the villa itself. Carna stood spellbound by
the sight, at once so terrible and so grand. The spectacle of a burning
house exercises a curious fascination even on those for whom it means loss
and disaster, and Carna, even in that supreme crisis of her life, could
not help gazing at the conflagration, and even admiring unconsciously the
splendid contrasts of light and darkness which it produced.
It seemed as if that day was about to sweep away all her past. She had
torn from her heart her half-acknowledged love; she saw the home of her
childhood and youth vanishing into smoke and ashes; and now another actor
in the bygone of her life was to disappear for ever.
Public-domain text, read in full here on John Shaqi.
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