_This book is set_ (_on the Linotype_) _in Elzevir No. 3, a French Old Style. For the modern revival of this excellent face we are indebted to Gustave Mayeur of Paris, who reproduced it in 1878, basing his designs, he says, on types used in a book which was printed by the Elzevirs at Leyden in 1634. The Elzevir family held a distinguished position as printers and publishers for more than a century, their best work appearing between about 1590 and 1680. Although the Elzevirs were not themselves type founders, they utilized the services of the best type designers of their time, notably Van Dijk, Garamond, and Sanlecque. Many of their books were small, or, as we should say now, “pocket” editions, of the classics, and for these volumes they developed a type face which is open and readable but relatively narrow in body, although in no sense condensed, thus permitting a large amount of copy to be set in limited space without impairing legibility._ SET UP, ELECTROTYPED, PRINTED AND BOUND BY THE VAIL-BALLOU PRESS, INC., BINGHAMTON, N. Y. · PAPER MANUFACTURED BY TICONDEROGA PULP AND PAPER CO., TICONDEROGA, N. Y. AND FURNISHED BY W. F. ETHERINGTON & CO., NEW YORK =TRANSCRIBER’S NOTES= Simple typographical errors have been silently corrected; unbalanced quotation marks were remedied when the change was obvious, and otherwise left unbalanced. Punctuation, hyphenation, and spelling were made consistent when a predominant preference was found in the original book; otherwise they were not changed.