Albany, Louise Maximiliane Caroline Emanuele, Princess of Stolberg-Gedern, calling herself Countess of, 1752-1824
But of the Charles Edward of the Forty-five there remained so little in
this Count of Albany that we have no right to consider them any longer
as one individual, to condone the brutishness of the Count of Albany for
the sake of the chivalry of Prince Charles, to degrade our conception of
the young man by tacking on to it the just ignominy inflicted upon the
old man, the man who had inherited his name and position, but scarcely
his personality. Above all, we have no right to add to whatever reproaches
we may think fit to shower upon the Countess of Albany and on Alfieri,
the imaginary reproach that the husband whose rights they were violating
was the victor of Gladsmuir and Falkirk.
There must always be something which shocks us in the behaviour,
however otherwise innocent and decorous, of a woman who runs away
from her husband with the assistance of her lover; but this quality of
offensiveness is not, in such a case as the present one, a fault of
the woman: it is one of her undeserved misfortunes, as much as is the
bad treatment, the solitude, the temptation, to which she has been
subjected. The evil practice of the world, its folly and wickedness in
permitting that a girl like Louise of Stolberg should be married to a
man like Charles Edward, its injustice and cruelty in forbidding the
legal breaking of such an unrighteous contract; the evil practice of the
world which condemned the Countess of Albany to be for so much of her
life an unhappy woman, also condemned her to be in some of her actions a
woman deserving of blame. We shall see further on how, in the attempt to
work out their happiness in despite of the evil world in which they
lived, the Countess and Alfieri, infinitely intellectually and morally
superior to many of us whom circumstances permit to live blameless and
comfortable, were splashed with the mud of unrighteousness, which was
foreign to their nature, and remained spotted in the eyes of posterity.
Charles Edward did what he had done once before in his life: he applied
to the Government to put him again in possession of the woman whom he
had victimised; but as the French Government had refused to recognise
his claims over his fugitive mistress, so the Government of the Grand
Duke of Tuscany now refused to give him back his fugitive wife. The
Countess of Albany had naturally taken no clothes with her in her
flight; and she presently sent a maid to the palace in Via San Sebastiano
to fetch such things as she might require. But Charles Edward would not
permit a single one of her effects to be touched; if she wanted her
clothes and trinkets, she might come and fetch them herself. However,
after a few days, a message came from the Pope, ordering the Pretender
to supply his wife with whatever she might require; a threat to suspend
the pension was probably expressed or implied, for Charles Edward
immediately obeyed.
Public-domain text, read in full here on John Shaqi.
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