For six months he stuffed and sneezed and slept, and then, one morning, like Lord Byron and the discovery of his fame, Cyrus woke and discovered the responsibilities of kingship. His sneezing fits suddenly ceased, and the Cyropaidaia (or education of Cyrus) began. He conducted his own education, of course, entirely by himself; he knew, by heredity, what a king had to learn, and proceeded to learn it. Hitherto the pantry and my bedroom were the only territories of his dominion that he had any acquaintance with, and a royal progress was necessary. The dining-room did not long detain him, and presented few points of interest, but in a small room adjoining he found on the table a telephone with a long green cord attached to the receiver. This had to be investigated, since his parents had not told him about telephones, but he soon grasped the principle of it, and attempted to get the ear-piece off its hook, no doubt with a view to issuing orders of some kind. It would not yield to gentle methods, and, after crouching behind a book and wriggling his body a great deal, he determined to rush the silly thing. A wild leap in the air, and Cyrus and the green cord and the receiver were all mingled up together in hopeless confusion.... He did not telephone again for weeks. The drawing-room was less dangerous. There was a bearskin on the floor, and Cyrus sat down in front of the head, prepared to receive homage. This, I suppose, was duly tendered, because he tapped it on the nose (as the King entering the City of London touches the sword presented by the Lord Mayor), and passed on to the piano. He did not care about the keyboard, but liked the pedals, and also caught sight of a reflection of himself in the black shining front of it. This was rather a shock, and entailed a few swift fandango-like steps with fore-paws waving wildly in the air. Horror! The silent image opposite did exactly the same thing; ... it was nearly as bad as the telephone. But the piano stood at an angle to the wall, offering a suitable ambush, and he scampered behind it. And there he found the great ambush of all, for the back cloth of the piano was torn, and he could get completely inside it. Tactically, it was a perfect ambush, for it commanded the only route into the room from the door; but his delight in it was such that whenever he was ambushed there, he could not resist putting his head out and glaring, if anybody came near, thus giving the secret completely away. Or was it only indulgence towards our weak intellects, that were so incapable of imagining that there was a king inside the piano?