The Countess of Lowndes Square, and Other StoriesBenson, E. F. (Edward Frederic)
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The Countess of Lowndes Square, and Other Stories
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Short stories, English
For these two years, then, which had followed his retirement, Roupert
had given himself to these studies of occult and spiritual influences,
learning about the healing powers contained in mental suggestion, and
trying to get behind that into the more elemental and essential
mysteries of man; leaving the servant, as he had said, in the hall of
the house, while he went further into the presence of the master of the
house. Often, during these “go-to-bed” cigarettes that multiplied
themselves into the night, he told me tales that did not make going to
sleep any easier. Nothing was too extravagant for his investigations;
witchcraft, spiritualism, Satanism, the healing touch, and, above all,
demoniacal possession were the subjects of this study that went deeper
into the human organism than mind. There was no myth or exploded
superstition that he did not examine, to see whether the explosion had
been complete and shattering, or whether among the débris there did not
remain some grains of solid stuff that were still solid, though science
had affirmed that a puff of scattered smoke was all that was extant....
Consequently this evening, when Frank Hampden had gone to bed, I was
quite prepared to find that Roupert had something to tell, some guess to
hazard that had illumined his inquiries, the more so indeed because I
had not seen him for some dozen nights.
“Did you receive the message I left at your house?” he asked abruptly as
the door closed behind his cousin.
“No; I haven’t been home. But your servant told me you had asked me to
come in,” said I.
“Yes, I did. You have done just what I wanted. In my note I asked you to
come in and observe my cousin, and tell me your impression. I saw you
couldn’t help observing him, so now let us have the impression.”
“Quite frankly? All?” I said.
“Of course.”
“I never saw anyone so utterly terrible,” I said.
“Terrible? Exactly how?” he asked.
The very intensity of my feeling about Hampden blurred the outline of
it, and I paused trying to put a definite shape to it.
“Incomparably terrible,” I said. “Murderous, I think: murderous for the
fun of it. I felt like Fifi.”
“I saw you did,” he said; “and I suspect you are right, you and
Fifi....”
He walked up and down the room once or twice, then sat down with the air
of settling himself.
“Did you hear him ask about my cat?” he said. “He killed her last night;
he buried her in the garden.”
There was a grotesqueness, a ludicrousness even in this after the talk
of murder, but that only added horror to it.
“What do you mean?” I asked.
Public-domain text, read in full here on John Shaqi.
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