that he bustled up himself, as though his heart would fain have walked
abroad. Zelmane with an inward smiling gave him outward thanks,
desiring him to reserve his force for worthier causes.
So passing their time according to their wont, they waited for the
coming of Phalantus, who the next morning having already caused his
tents to be pitched near to a fair tree hard by the lodge, had upon
the tree made a shield to be hanged up, which the defendant should
strike that would call him to the maintaining his challenge. The
impresa in the shield was a heaven full of stars, with a speech
signifying that it was the beauty which gave the praise. Himself came
in next after a triumphant chariot made of carnation-velvet, enriched
with purple and pearl, wherein Artesia sat, drawn by four winged
horses with artificial flaming mouths and fiery wings, as if she had
newly borrowed them of Phoebus. Before her marched, two after two,
certain footmen pleasantly attired, who between them held one picture
after another of them, that by Phalantus’ well running had lost the
prize in the race of beauty, and at every pace they stayed, turned the
pictures to each side so leisurely that with perfect judgment they
might be discerned. The first that came in, following the order of the
time wherein they had been won, was the picture of Andromana, queen of
Iberia, whom a Laconian knight, having some time, and with special
favour, served, though some years since returned home, with more
gratefulness than good fortune defended. But therein Fortune had
borrowed wit; for indeed she was not comparable to Artesia, not
because she was a good deal older, for time had not yet been able to
impoverish her store thereof, but an exceeding red hair with small
eyes, did, like ill companions, disgrace the other assembly of most
commendable beauties.
Next after her was borne the counterfeit of the Princess of Elis, a
lady that taught the beholders no other point of beauty, but this:
That as liking is not always the child of beauty, so whatsoever liketh
is beautiful; for in that visage there was neither majesty, grace,
favour, nor fairness; yet she wanted not a servant that would have
made her fairer than the fair Artesia. But he wrote her praises with
his helmet in the dust, and left her picture to be a true witness of
his overthrow, as his running was of her beauty.
After her was the goodly Artaxia, great queen of Armenia, a lady upon
whom nature bestowed and well placed her most delightful colours, and,
withal, had proportioned her without any fault, quickly to be
discovered by the senses, yet altogether seemed not to make {79} up
that harmony that Cupid delights in, the reason whereof might seem a
mannish countenance, which overthrew that lovely sweetness, the
noblest power of womankind, far fitter to prevail by parley than by
battle.
Public-domain text, read in full here on John Shaqi.
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